In a Vanity Fair interview published last week
about her film "First They Killed My Father," Jolie described a
game played by the casting directors with the young Cambodian
children auditioning for the lead role of Loung Ung.
Jolie, a special envoy for the United Nations refugee agency,
told Vanity Fair she looked for her lead star in orphanages,
circuses and slum schools.
In the casting, a child was placed in front of money on a table,
asked to think of what they needed it for and to snatch it away.
Jolie would then pretend to catch them, and the child would have
to lie about why they stole the money.
"I am upset that a pretend exercise in an improvisation, from an
actual scene in the film, has been written about as if it was a
real scenario," Jolie, who directed the film, said in a
statement on Sunday.
"The suggestion that real money was taken from a child during an
audition is false and upsetting. I would be outraged myself if
this had happened."
Users on social media slammed Jolie's casting game as cruel and
exploiting impoverished children. Vanity Fair reporter Evgenia
Peretz called the casting game "disturbing in its realism" in
the profile, while Kayla Cobb at pop culture website Decider.com
compared the game to a psychological thriller.
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"Everyone should know better than to literally
dangle money in front of impoverished children ... no movie is
worth psychologically traumatizing multiple children," Cobb
wrote.
"First They Killed My Father" is about the 1970s
Khmer Rouge regime under which more than 1 million people died. It
is due to be released globally and on Netflix in September.
Jolie said the young girl who won the part, Srey Moch, was chosen
after "she became overwhelmed with emotion" when forced to give the
money back, saying she needed the money to pay for her grandfather's
funeral.
"The children were not tricked or entrapped, as some have
suggested," Rithy Panh, a Cambodian producer on the film, said in a
statement. They understood very well that this was acting, and make
believe."
(Reporting by Piya Sinha-Roy; Editing by Cynthia Osterman)
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