The film is the latest installment from the DC
comics stable of super-heroes - a series which, with the notable
exception of this summer's "Wonder Woman", has met with a less
than positive critical response and has failed to match the box
office of rival Marvel's biggest super-hero offerings.
The film features a host of major DC characters and box office
stars including Ben Affleck as Batman, Gal Gadot as Wonder
Woman, Jason Momoa as Aquaman and Ezra Miller as the Flash.
Gadot won both critical plaudits and box office success for
"Wonder Woman", which was directed by Patty Jenkins, and she is
confident that the experience from that film helped her reprise
the character in "Justice League".
"I had almost no transition from Wonder Woman because I finished
Wonder Woman and the next day I went to set to start working on
Justice League," she told Reuters.
"I was already in the character and I only had to serve the
story and the context of every scene and just you know be there
and serve the director's vision."
Momoa was hopeful for the film's prospects, telling Reuters "I
really hope that the fans enjoy what Zack (Snyder, the director)
and I have done with Aquaman."
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The film's predecessor, 2016's "Batman Vs. Superman: Dawn of
Justice," grossed just over $870 million at the global box office
according to film revenue website Box Office Mojo, but received a 27
percent rating on film review aggregation site Rotten Tomatoes.
Another recent entry in the DC franchise, 2016's "Suicide Squad,"
opened to an equally poor critical reception, and took around $745
million at the global box office.
While both totals are not insubstantial, they are dwarfed by
Marvel's big hits - 2012'S "The Avengers" and 2015's "Avengers: Age
of Ultron," which took $1.5 billion and $1.4 billon respectively.
Audiences in 2017, however warmed to "Wonder Woman," which grossed
over $80 million more at the U.S. box office than "Dawn of Justice,"
as well at proving a hit with critics, garnering a 92 percent Rotten
Tomatoes score.
(Reporting by Mark Hanrahan and Helena Williams; Writing by Mark
Hanrahan; Editing by Matthew Mpoke Bigg)
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