The film, set in Beirut, is about a verbal
slanging match between two individuals that leads to a highly-publicised
trial that highlights the ethnic and religious tensions
simmering in Lebanese society.
It is the fourth joint project that Doueiri and Joelle Touma
have put together and the fact that both came from families with
deep political convictions and different religious affiliations
provides first-hand material for the script.
It also helped them take their minds off their own marital
issues, the Beirut-born filmmaker said ahead of the film's world
premiere at the Venice film festival.
"It was the best divorce I ever had because we would sit down.
We had to deal with some of the problems, but then we had to go
back to the scenes ," Doueiri told journalists in Venice.
"Writing the script ... was really one of the best experiences.
It came up so easily, as if all our past in Beirut was boiling
to that point."
In the movie, Toni, a Lebanese Christian mechanic played by Adel
Karam, smashes up repair work which had been done to an illegal
pipe on his balcony by the construction crew of Palestinian
foreman Yasser, portrayed by Kamel El Basha.
Soon insults and punches fly, and the two end up in court in a
trial that brings to the fore the ethnic and religious tensions
that still boil under the surface and keep Lebanon divided years
after the end of the civil war in 1990.
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"Lebanon is a complex place ... I grew up there half of my life and
I know it's always difficult to explain what the problem is,"
Doueiri said. "At the end of the day (the film) is about two
ordinary people in extraordinary circumstances. It’s about justice
but it’s about dignity too."
The movie is one of 21 U.S. and international films competing for
the Golden Lion that will be awarded on the Lido island on Sept. 9.
While most of the male characters in "The Insult" are hot tempered
and easy to provoke, the women, including Toni's wife Shirine,
played by Rita Hayek, help defuse the tensions.
"She is the one who’s calming down her husband, she’s the one who is
letting him get out of his shell, or maybe a box full of past pain
because she didn’t live the war," Hayek said of her character,
adding it resonated with her as she was also only three years old
when the war ended.
"She's the voice of reason ... but she is also a big support. She is
not fighting her husband, she is standing next to him."
(Editing by Richard Balmforth)
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