Justifying the ban, authorities in the Southeast Asian city
state said the film "Radiance of Resistance" was "skewed" and
potentially divisive for Singapore's multi-ethnic population.
The documentary, which looks at the Palestine-Israeli conflict
through the eyes of 16-year-old Ahed Tamimi and another young
female activist, lacked "counterbalance", the
Info-communications Media Development Authority of Singapore (IMDA)
said on its website.
"The skewed narrative of the film is inflammatory and has the
potential to cause disharmony amongst the different races and
religions in Singapore," the IMDA said.
The documentary was due to have been shown at the Singapore
Palestinian Film Festival on Thursday.
It was screened at a number of festivals worldwide in 2017 and
won Best Documentary at the Respect Human Rights Film Festival
in Belfast, but has become even more topical following Tamimi's
arrest last month.
Tamimi was charged on Monday with counts of aggravated assault
and will be tried in an Israeli military court. An adult found
guilty of assaulting a soldier could be jailed for up to 10
years, but Tamimi is a minor so such an outcome is unlikely.
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While Singapore's authorities are known to keep a tight rein on
public speech and the media, especially when it comes to matters
related to race and religion, outright bans are more rare.
Adela Foo, the organizer of the Singapore festival, called the ban
"understandable", without elaborating.
"At the end of the day, the IMDA's position is one to be respected,"
the 23-year-old student told Reuters.
With a sizable Muslim minority and surrounded by Muslim majority
neighbors where sympathy for the Palestinian cause runs high,
Singapore maintains friendly diplomatic and military ties with
Israel. But it has lined up with many other countries opposed to
U.S. President Donald Trump's recognition of Jerusalem as Israel's
capital.
Around 15 percent of Singapore's 3.3 million resident population
aged 15 years and over identify as Muslim, recent government surveys
show.
(Reporting by Fathin Ungku; Editing by John Geddie & Simon
Cameron-Moore)
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