The Los Angeles County District Attorney's
Office was investigating an accusation that Polanski, a
long-time fugitive from the United States, committed lewd and
lascivious acts with a child and sodomy with a minor, but did
not proceed because it was beyond the statute of limitations,
spokesman Greg Risling said.
The office pegged the date as Jan. 1, 1975 and declined to
identify Polanski's accuser. The prosecutor opened the
investigation in December.
The accuser, who identified herself online as artist Marianne
Barnard, accused Polanski, now 84, in October of having molested
her when he photographed her as a naked 10-year-old under an
open fur coat in a photo shoot arranged by her mother.
"After it happened, I didn't say anything to anyone," Barnard
said in a post on thepetition.com, where she is seeking
signatures urging that the Academy of Motion Picture Arts and
Sciences revoke Polanski's membership.
Polanski's lawyer, Harland Braun, said the incident never
happened, adding that because police and prosecutors have
stopped looking into the matter, he is pursuing his own
investigation in an effort to clear his client.
"We have what we believe is a totally fictitious case against
Mr. Polanski," said Braun.
Polanski in 1977 admitted to having unlawful sex with a
13-year-old girl in Los Angeles and spent 42 days in pre-trial
custody. He fled the United States the following year, fearing a
plea bargain with prosecutors would be overruled and that he
would get a lengthy prison term.
In November, Swiss prosecutors dropped an investigation of him
after finding that the country's statute of limitations did not
allow pursuing allegations by a former German actress and model
that he raped her in 1972 when she was 15 years old.
Polanski won an Academy Award in 2003 for directing "The
Pianist."
(This version of the story was corrected to say accusation
instead of charge in paragraph two; corrects to make clear
Polanski is member of Academy not a board member, paragraph
five)
(Reporting by Peter Szekely in New York; editing by Grant
McCool)
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