Cosby, 80, is scheduled go to trial on April 2 on charges that
he sexually assaulted Andrea Constand at his home in the
Philadelphia suburb of Cheltenham in January 2004, after
drugging her and rendering her incapacitated.
Constand worked with the women’s basketball team at Temple
University, where Cosby, a university alumnus, befriended her.
His first trial ended in a mistrial last June when a jury was
unable to reach a verdict after deliberating for five days.
In court papers filed on Thursday, Montgomery County District
Attorney Kevin Steele asked Judge Steven O'Neill to admit
evidence from 19 women regarding Cosby's "prior bad acts," even
though it is not directly related to the alleged assault on
Constand.
The testimony is relevant, prosecutors argued, because it would
enable them to establish that Cosby "who over the course of
decades, intentionally intoxicated young women in signature
fashion and then sexually assaulted them while they were
incapacitated, could not have been mistaken about whether or not
Ms. Constand was conscious enough to consent to any sexual
contact."
Cosby, who starred in the 1980s TV series “The Cosby Show” and
built a long career on family-friendly comedy, has denied
assaulting anyone and has portrayed all of the encounters as
consensual.
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Steele asked O'Neill to allow 13 of the 19 women to testify in the
first trial, but the judge denied the request for all but one,
Kelley Johnson, who prosecutors said testified to an "eerily
similar" encounter with Cosby.
The other accusers, whom prosecutors did not identify, would testify
to similar encounters, prosecutors said.
In general, a defendant’s prior bad acts are not admissible as
evidence that he or she committed a particular crime. Prosecutors,
however, are allowed on rare occasions to use evidence or witnesses
to prove a defendant committed a crime as part of a longstanding
pattern of behavior.
Judges typically weigh the value of such evidence against the
possibility that it will unfairly prejudice a jury.
(Reporting by Peter Szekely in New York; Editing by Frank McGurty
and Leslie Adler)
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