McCartney, known for her understated designs and commitment not
to use fur or leather, has an option until March 31 to buy back
the 50 percent of her label owned by Kering, according to the
terms of their joint venture.
McCartney said she was examining a possible purchase but that
nothing was set.
"I have an opportunity to buy 50 percent that Kering have of the
Stella McCartney house, it's an option that I have that I'm
looking at, but it's not defined and it's not something I can
talk about right now," McCartney said after the show at Paris'
sumptious Opera Garnier.
Kering has confirmed holding talks about its Stella McCartney
stake but dismissed reports of a split in the works as
speculative, saying the two regularly discussed their
partnership.
The conglomerate, controlled by its founding Pinault family and
run by scion Francois-Henri Pinault, has had a 50/50 joint
venture with the British label since 2001.
After March 31, McCartney has the right to sell her stake,
according to company filings.
The label's latest runway show - the first to mix men and
women's clothing - featured an edgy take on suits, with
waistcoasts revealing a bare back, layered shorts over trousers
cut from the same cloth, and linings worn as sleeves.
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"The inside of things sometimes has a more sensual relationship with
the wearer," McCartney said of the looks, adding she had mixed
pieces from men and women's wardrobes.
"The linings have so much character to them, you never seen them and
they're always so incredible," the designer, who partly trained with
a Savile Row tailor, added.
Looks for next winter included knitwear, such as a chunky striped
poncho with layers of different yarns, and dresses in stretchy
velour etched with prints from 20th century British artist J.H.
Lynch, known for his paintings of sultry women.
The brand does not publish earnings. Kering's latest financial
report said revenue growth at Stella McCartney - a much smaller
contributor to its sales than Italy's Gucci and French label Saint
Laurent - was buoyant but had slowed in 2017 compared to previous
years.
(Reporting by Sarah White; Editing by Tom Balmforth)
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