Now, with the same feminist spirit, the reboot starring Alicia
Vikander and opening worldwide this week, spins the usual
action-adventure tale, but also dives into Croft's beginnings,
portraying a heroine with an emotional life and personal growth.
"We show this journey of Lara when she's not the action hero ...
and it's a way of us still to root for her," the 29-year-old
Swede in her biggest role to date told Reuters Television. "You
actually get to feel that's she's human, and she's open to be
vulnerable."
The franchise's revival is based primarily on a 2013 iteration
of the game, which takes place on the fictional lost island of
Yamatai near Japan.
In the film, Croft leads a profligate youth following her
father's disappearance, but then is pulled back into the fold
when she is inspired to scrutinize his vanishing while on one of
his treacherous archaeological adventures.
"Tomb Raider," which first made it to the big screen in 2001
with Angelina Jolie as Croft, is a bit of a throwback with an
elaborately constructed studio set in an era when most action
films depend heavily on computer effects.
"I was really looking to get an authentic and gritty feel to the
whole movie, so we shot a lot of it for real," Norwegian
director Roar Uthaug said.
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"I think it brings some edge to it, some rawness," the 44-year-old
added.
"Tomb Raider" arrives at a time when Hollywood is putting more women
in central roles in the macho blockbuster genre.
It is also a bet Warner Bros. has placed on Vikander to be
Hollywood's next breakout female action star following the roaring
success of little-known Israeli actress Gal Gadot in last year's
"Wonder Woman."
Vikander, who won a best supporting actress Oscar in 2016 for "The
Danish Girl," had yet to take on top billing in a blockbuster and is
best known for her intense, emotionally dramatic performances.
"I too had to overcome, like Lara, a lot of questioning," Vikander
said. "But it's an adventure, and I was really intrigued to go on
it."
(Reporting by Reuters Television in Los Angeles and London; Writing
by Eric Kelsey; Editing by Sandra Maler)
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