The exhibition, hosted in London's Jealous
Gallery and curated by DJ Seth Troxler, features paintings,
prints and wall murals that blend imagery from Greek mythology
with elements of the gay scene of 1980s New York.
Some of the artworks depict what Troxler describes as "sexy boys
and subversive fairies masquerading and transforming into
cyclops, nymphs, magical creatures, angels and monsters."
"It was very sexy to me and then the violence in there was
appealing to me, and I thought it was very visual," LaForge told
Reuters.
LaForge's artworks include depictions of Odysseus and the
goddess Circe, who turned the hero's men into pigs, and
Odysseus' confrontation with the cyclops Polyphemus.
LaForge said he feels that there is room for artistic
interpretation in "The Odyssey", allowing him to incorporate his
own unconventional elements into the classic tale.
"It's a poem by Homer who was blind, written in 800 B.C., so who
even knows if this story is what he recited? I'm sure it's been
interpreted a billion times. So this is my version of it."
The Odyssey is not the only literary classic that LaForge is
interested in adapting. Inspired by his time in Britain, he also
hopes to tackle Chaucer's "Canterbury Tales".
"The Odyssey," runs at London's Jealous Gallery until April 10.
(Reporting by Lisa Keddie; Writing by Mark Hanrahan in London;
Editing by Hugh Lawson)
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