They did not disclose financial terms for the
deal.
McCartney, known for her understated designs and commitment not
to use fur or leather, had an option until March 31 to buy out
half of her label under the terms of the partnership.
"It is the right moment to acquire the full control of the
company bearing my name," McCartney said in a statement.
A spokesman for the label declined to comment on how the
acquisition would be financed.
Following the agreement, Kering will continue to lend some
support and services to the brand for a year, and the split will
be final by the end of the first quarter of 2019, according to a
spokeswoman for the French group.
McCartney will stay on as a board member of the Kering
Foundation, which works to stop violence against women, and the
companies said she would collaborate with Kering "in the field
of sustainable fashion" - an area that has become her hallmark.
London-born Stella McCartney, daughter of the Beatles' Paul
McCartney, first made her mark at Richemont-owned fashion label
Chloe.
She launched her eponymous label in partnership with the Gucci
Group, formerly a division of what is now Kering, in 2001.
Kering, run by Francois-Henri Pinault, the scion of the group's
founding family, does not break out earnings for the brand, but
it is a much smaller contributor to sales than labels such as
Gucci or Balenciaga.
The conglomerate's latest financial report said revenue growth
at Stella McCartney was buoyant but had slowed in 2017 compared
to previous years.
The split with Stella McCartney comes as Kering prepares to spin
off German sportswear label Puma to its own shareholders, as it
focuses more squarely on its high-margin luxury brands and
builds up those with a high growth potential.
Stella McCartney presented her latest collection for next autumn
and winter at Paris' sumptuous Opera Garnier in early March. It
was the label's first show catwalk show to mix men and women's
clothing, and some designs such a jacket were made from
materials like alter nappa, an alternative to leather.
(Reporting by Sarah White; Editing by Alison Williams)
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