No more pain for Philippine devotee
nailed to cross for 32nd time
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[March 30, 2018]
CUTUD, Philippines (Reuters) - A
Philippine man who has been nailed to a cross every Easter for the past
32 years in a Good Friday re-enactment of Jesus Christ's crucifixion
says he no longer feels any pain from his wounds.
Ruben Enaje, 58, again portrayed Christ on Friday in the traditional
religious rite in Cutud village, about 76 km (47 miles) from the capital
Manila.
"In the past, I went home injured and limping, but this year I feel so
great," Enaje said after the ritual held under a sweltering sun.
He said he believed his strong Catholic faith helped him avoid pain.
"I feel like he is telling me 'go ahead, keep it up'," he said,
referring to God.
Easter is a festival marking the crucifixion and resurrection of Christ.
About 80 percent of the 105 million people in the Philippines, a former
Spanish colony, are Catholic.
Enaje said he felt strong enough to perform in two or three more
crucifixions, until he turns 60.
Enaje was among three devotees nailed to wooden crosses in the village
on Friday, including a woman taking part for the seventh time.
Actors wearing Roman soldier costumes attached the devotees to crosses
by hammering two-inch nails soaked in alcohol through their hands and
feet and hoisted them up in a field packed with domestic and foreign
tourists.
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Ruben Enaje, 58, who is portraying Jesus Christ for the 32nd time,
grimaces in pain after being nailed on a wooden cross during a Good
Friday crucifixion re-enactment in Cutud village, Pampanga province,
north of Manila, Philippines March 30, 2018. REUTERS/Romeo Ranoco
The Catholic Church in the Philippines tolerates the ritual but says
it does not support such gory displays of devotion, describing them
as a "misinterpretation of faith".
Many Catholics in the Philippines perform religious acts of penance
during the Holy Week at Easter as a form of worship and
supplication.
Some believe penance cleanses sins, cures illnesses and even leads
to wishes coming true.
(Reporting by Ronn Bautista; Writing by Enrico dela Cruz; Editing by
Robert Birsel)
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