Based on the true story of Iraqi women who took up arms against
Islamic State after escaping enslavement, a female battalion
leads an attack on the jihadists while their brothers in arms
prefer to wait for U.S. air strikes.
The reason their enemies fear them, we learn, is that they
believe if they are killed by a woman, they will not go to
heaven as a martyr.
The story, by French director Eva Husson follows Mathilde, a
reporter embedded with the fighters who learns the horrific
back-story of their leader Bahar, played by "Pirates of the
Caribbean" star Golshifteh Farahani.
The film premiered to rapturous applause at Cannes on Saturday
night, just after Cate Blanchett led a demonstration by female
actors, directors and producers on the red carpet to support the
campaign for women's rights after the sex abuse scandals that
shook the movie industry last year.
While the film's setting is kept vague, the story was inspired
by Islamic State's attack on members of the Yazidi faith in
Sinjar, northern Iraq, in 2014, when they killed the men and
traded the women and girls as sex slaves.
The reporter Mathilde is a fictionalized version of Marie
Colvin, who was killed in Syria in 2012, and played by
Emmanuelle Bercot who, complete with eye patch, bears a striking
resemblance to the American journalist.
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With a woman, the director Husson, telling the story of a woman,
Mathilde, telling the story of a woman, the warrior Bahar, "Girls of
the Sun" is likely to be the festival's most "MeToo"-relevant movie.
"It talks of the need for representation, the representation of
women in cinema, representation that we as women owe to ourselves to
tell our stories," Husson, 41, told a news conference, calling the
MeToo movement that emerged after the sex scandals "a great moment
on the history of cinema".
"It is all just starting to gain momentum. I think we can all feel
the rumbling, the coming to the boil of the narrative voice of
women."
Some critics found "Girls of the Sun" contrived. Variety said it was
"well-intentioned yet cliché-riddled lunge at the tear ducts," while
The Guardian's Peter Bradshaw called it "heartfelt, forthright and
muscular".
The film is in competition for the Palme d'Or which will be awarded
on May 19.
(Reporting by Robin Pomeroy. Editing by Jane Merriman)
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