Los Angeles auctioneers Profiles in History
said on Thursday four handwritten draft screenplays by Noel
Langley were being sold.
Langley, who died in 1980, was one of about a dozen
screenwriters who worked on the big screen adaptation of L.
Frank Baum's children's book that catapulted Judy Garland to
fame and became an enduring movie classic.
Langley's first three original drafts, dated between April 5 and
May 14, 1938, are being sold alongside a fourth draft of the
screenplay, written by Florence Ryerson and Edgar Allan Woolf,
and a fifth draft from August 1938 by Langley.
"It is the single most important manuscript in Hollywood
history," Brian Chanes, head of consignment at Profiles in
History, told Reuters.
Chanes said the more than 150 pages of handwritten manuscript
notes and pages were "the genesis of 'The Wizard of Oz,'"
tracing its development and changes from first draft to the
final version.
Some 16 photos of special effects, including the tornado
sequence that transports Garland's Dorothy from Kansas to the
magical land of Oz, will be included in the single lot.
The archive is being sold by an anonymous private collector who
bought it years ago from the late Los Angeles memorabilia
collector, Forrest J. Ackerman, Chanes said.
Profiles in History put an estimated sale value of $800,000 -
$1.2 million on the archival material, which will be auctioned
during its Hollywood memorabilia sale in Los Angeles from Dec.
11-14.
Langley, Ryerson and Woolf all received credits for the
screenplay when the movie was released in 1939, but several
others also made uncredited revisions and contributions.
"The studio assigned a number of script writers and each
scriptwriter did not know the other was working on it. The
others kind of fizzled out," Chanes said. "Noel Langley is the
one that really set the stage."
"The Wizard of Oz" won just two Oscars - for its music - after
it was released in 1939 but went on to become one of the
best-known musicals in Hollywood history. In 1989, it was among
the first to be preserved by the National Film Registry.
(Additional reporting by Krystian Orlinski; Editing by Tom
Brown)
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