The
seven-foot (2.13 m) tall basalt figure, known as "Hoa
Hakananai'a," meaning "lost or stolen friend" in the local
language, was among 900 statues or "Moai," meaning "ancestors,"
carved by islanders between 1100 and 1600 A.D.
The Hoa Hakananai'a was taken from the island, located 2,480
miles (3,990 km) west of the Chilean capital Santiago, in 1868
by Richard Powell, the captain of HMS Topaze, and presented to
Queen Victoria who passed it on to the British Museum.
The statue is one of many artifacts British explorers and
dignitaries acquired from around the globe that are displayed in
the British Museum. But a number of these treasures have become
the subject of intense debate and requests for their return by
their countries of origin.
Among these are the Grecian antique sculptures known as the
Elgin Marbles and the Benin Bronzes from modern-day Nigeria.
The Hoa Hakananai'a is unique among the Moai because it is made
of basalt, while the larger statues that still populate Easter
Island were hewn from blocks of compressed volcanic ash. It also
bears figures associated with the Tangata Manu, or "bird man",
cult carved on its back.
The delegation will offer to swap the Hoa Hakananai'a for
another Moai carved from stone by the contemporary local
sculptor Bene Tuki.
Felipe Ward, Chile's heritage minister who will accompany the
delegation to the meeting in London on Tuesday, said he had "a
glimmer of hope because they are wiling to discuss it."
"The best place for this Moai is where it was created," he told
Reuters in an interview in Santiago this week. "Rapa Nui is an
open air museum so the conditions for protecting it are
perfect."
A spokesman for the British Museum told Reuters it was always
willing to consider loaning out objects from its collection
"subject to the usual conditions."
"We believe that there is great value in presenting objects from
across the world, alongside the stories of other cultures at the
British Museum," the spokesman said.
"Hoa Hakananai'a is free to view and is among the most popular
and most photographed exhibits with our 6 million visitors each
year."
(Reporting by Aislinn Laing and Natalia Ramos; editing by G
Crosse)
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