Now the Emmy-winning Netflix series is back as the two men -
Steven Avery and Brendan Dassey - strive for freedom after 10
years behind bars.
"Making a Murderer" followed the 2005 killing of Teresa Halbach
in rural Wisconsin that brought life sentences for scrap-car
dealer Avery and his then 16-year-old nephew, Dassey.
Part 1, released in December 2015, left lingering questions and
a public appetite for more, said filmmakers Laura Ricciardi and
Moira Demos.
The 10-episode Part 2, to be released on Friday, shows viewers
"what it's like for someone who has been convicted of a very
serious crime and is sentenced to life in prison yet who is
challenging that conviction," Ricciardi said in an interview.
"Making a Murderer" called into question the conduct of law
enforcement officials and the rights of criminal defendants,
particularly teens like Dassey, whose lawyers argued was coerced
into confessing to the crime.
Ricciardi, a former lawyer, and Demos have been working on the
story for more than 10 years but have not lost faith in the
judicial system.
"We are firm believers in transparency and that progress will
only come through visibility and debate - that's very
encouraging," said Demos.
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"Perhaps what you see when you shine a light on things can be
depressing, but you have to face it before you make it any better,"
she added.
While Part 1 played out through court hearings and trials leading to
the convictions, in the new series Avery gets a new attorney who
re-investigates the murder and tracks Dassey's quest to bring his
case before the U.S. Supreme Court.
"You are watching lawyers behind the scenes, trying to win their day
in court. This is the preparation and the investigation to get
there," said Demos.
"Making a Murderer" spawned a spate of TV shows and podcasts about
true crime and stranger-than-fiction sagas, including documentaries
"The Keepers" and "Wild Wild Country," and podcasts "Dirty John,"
"In the Dark" and "S-Town."
Long-form storytelling "allows you to spend time with characters
that are not one-dimensional," Demos said. "You don't have to fit
your story into a box."
(Reporting by Jill Serjeant in New York; Editing by Matthew Lewis
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