| The first two episodes of "My Brilliant Friend" 
				- a co-production with Italian broadcaster RAI - screened at the 
				Venice Film Festival this week to warm reviews.
 "It’s impossible to make the adaption of 'My Brilliant Friend' 
				in any other country than Italy because the language is 
				crucial," said Saverio Costanzo, who directed the TV version of 
				the story of two girls growing up in Naples in the 1950s.
 
 "In the beginning they speak just dialect and then they learn 
				how to speak Italian properly so there is no other way to 
				describe that story in Ohio, you cannot make it anywhere else."
 
 It is not only U.S. audiences that will have to read subtitles. 
				The Italian version will also have them for some of the scenes 
				as the Neapolitan dialect is hard to understand for anyone 
				outside the southern port city.
 
 Costanzo said he still did not know the novelist's real 
				identity. Ferrante's decision to hide behind a pen-name and not 
				publicly identify herself is a real-life literary mystery story 
				that has added to the allure of her books that are best-sellers 
				in Europe and the United States.
 
 "I really respect the fact that she doesn’t want to put herself 
				in front because that makes (the) professional relationship, the 
				one we have, very clean," Costanzo, who communicated with 
				Ferrante via email while writing the script, said.
 
 The Hollywood Reporter said the series had got off to an 
				"extraordinarily promising beginning".
 
 "My Brilliant Friend is blissfully neither based in a gauzy 
				nostalgia nor mired in an affected documentary-style misery 
				porn. It simply and cleanly embraces the details of everyday 
				life, occasionally dirty or impoverished or ominous, spiked with 
				moments of memory-infused whimsy."
 
 The Venice Film Festival runs from Aug. 29 to Sept 8.
 
 (Writing by Robin Pomeroy; Editing by Andrew Heavens)
 
			[© 2017 Thomson Reuters. All rights 
				reserved.] Copyright 2017 Reuters. All rights reserved. This material may not be published, 
			broadcast, rewritten or redistributed.  
				Thompson Reuters is solely responsible for this content. 
				 |  |