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						 Julia 
						Roberts' first TV series gets Toronto festival premiere
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						[September 08, 2018]   
						By Nichola Saminather
 TORONTO (Reuters) - "Pretty Woman" star Julia Roberts 
						walked the red carpet on Friday to promote her first 
						television series, Amazon Studios' "Homecoming," at the 
						Toronto International Film Festival.
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				 Roberts, 50, is the latest major Hollywood star to transition to 
				television, joining the likes of Jane Fonda, Meryl Streep and 
				John Travolta. Many like Roberts have signed on to shows by 
				streaming services like Amazon and Netflix, which are drawing 
				audiences away from traditional television. 
 Roberts shrugged off the attention her switch to the small 
				screen has garnered.
 
 "It's all the same," she told reporters on the Toronto red 
				carpet. "It's all heart, it's all challenging and it's all 
				fulfilling."
 
 The psychological thriller, based on an eponymous podcast, stars 
				Roberts as Heidi Bergman, a caseworker employed at a secret 
				government facility in a program called Homecoming that is meant 
				to help veterans returning from war transition into civilian 
				life.
 
 The narrative jumps between the character's time at Homecoming 
				and a future when Roberts plays a waitress at a diner, unable to 
				recall much of her time at the program.
 
 The first four episodes screened at the festival show sinister 
				goings-on that hint at Homecoming not being the benevolent 
				program it purports to be.
 
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			"It's a mystery, it's a thriller," director Sam Esmail told the 
			audience following the screening. "There are very big questions, and 
			hopefully what we know by the end of the series will have answered 
			all those questions.
 "At the end of the day, this is about people," he said. "This is 
			about how they connect with one another, how they disconnect with 
			one another."
 
 The show will debut on Amazon on Nov. 2.
 
 (Reporting by Nichola Saminather; additional reporting by Rollo 
			Ross; editing by Jill Serjeant and Leslie Adler)
 
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