Comic Con's arrival in Africa coincides with a
big push by streaming services such as Netflix and Naspers'
Showmax to expand to capitalize on the continent's love of
comics and Hollywood movies.
Tickets for Saturday and Sunday - the most popular days of the
three-day event in South Africa - sold out weeks before the
launch, Carol Weaving, managing director of organizer Reed
Exhibitions, told Reuters.
She said the event had attracted comic, superhero and anime fans
from Botswana, Zambia, Zimbabwe and Nigeria and that it would
expand beyond South Africa into other African countries.
As well as international comic book heroes, Comic Con Africa
will also showcase local characters like Kwezi and Captain South
Africa. International guests included Kevin Sussman from "The
Big Bang Theory" and Travis Fimmel from "Vikings".
Zimbabwean-born comic artist Bill Masuku said the event was a
chance for people to learn more about locally produced comics
and occupy spaces typically dominated by Hollywood.
"Growing up as a black child we are bombarded with mainstream
media, whether that be movies or comic books, that have white
people. To not see yourself, is diminishing," said Masuku, who
has a black female superhero as the protagonist in one of his
comics.
He added: "I would like to push the narrative that black people
can be superheroes without being sidekicks."
On Friday, the first day of the event, costumed fans played
video games and shopped for merchandise in a convention center
north of Johannesburg.
"We are here to just have fun," said Chris Smithard, a market
researcher dressed as Aquaman. "For 'cosplay' this is a big
social gathering. It gives the entire community a much bigger
platform and exposure," he said, using a term for role-playing
by comic book fans.
Comic Con started in 1970, when a group of science fiction fans
in San Diego got together to swap comic books. It has since
grown into a globally recognized set of fantasy celebrations,
drawing over 130,000 fans to events in London, Moscow, Delhi,
Sydney and Dubai.
(Editing by Alexander Winning and Alison Williams)
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