Lebanon's Byblos festival said it was forced to
pull the Mashrou' Leila show fearing "bloodshed" after church
leaders accused the band of blasphemy and some Christian critics
vowed to stop the concert by force.
Activists have decried this as part of rising attacks on free
speech and marginalized communities in Lebanon.
"Lebanese authorities at this moment are not able to provide
artists the security to perform in peace," Within Temptation,
which was due to perform in the ancient city of Byblos on
Wednesday, wrote in a Facebook post.
The move was also "in solidarity with Mashrou' Leila and in
support of tolerance, freedom of speech and expression", it
said. "It hurts to make this decision. Our last show in Lebanon
is still very vivid in our hearts and minds."
Mashrou' Leila, a Lebanese band with an openly gay vocalist, has
performed in major cities around the world, with its lyrics
tackling sectarianism, gender equality and homophobia.
The Byblos festival committee has appealed to people to urge the
Lebanese state to ensure the right of artists to freedom of
expression and freedom from fear.
"We will never be silenced," it said on Sunday after the Dutch
band's announcement.
In recent weeks, church leaders in Byblos had called for the
Mashrou' Leila show to be pulled, saying its songs violate
"religious values".
The Lebanese musicians, who have played twice in Byblos in
recent years, said they were the target of a smear campaign.
They said they were shocked by "accusations and lies" about
four-year-old songs from the Ibn EL Leil album, which reached
number 13 on the Billboard world album chart.
Amnesty International has criticized Lebanese authorities for
failing to protect Mashrou' Leila. Rights groups this week
called for legal action against those who incited hate in
Lebanon, a country that officials have long boasted offers more
freedom than the rest of the Arab world.
"We hope to return...in a more tolerant climate...in a country
that really looks like what it brags to be," Mashrou' Leila
said.
(Reporting by Ellen Francis; Editing by Frances Kerry)
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