Grant plays the shady Fletcher in "The Gentlemen," a far cry
from his roles in "Four Weddings and a Funeral" and "Notting
Hill."
"That was part of the appeal but also part of the fear," Grant
told Reuters at a screening of "The Gentlemen" on Tuesday.
"I thought, I'm 59 now. Is it too ludicrous to suddenly be this
guy completely from the other side of the tracks with a full-on
London accent? Guy said 'No, no, no, no. You can do it. You can
do it. Just own it.' So I went for it."
The film marks the return of Ritchie to his to crime film roots
as he helms a comedy-drama filled with fishy characters.
Matthew McConaughey plays American Mickey Pearson, who has built
a marijuana business in Britain. When he tries to sell it,
others want to capitalize in any way they can.
Ritchie found fame with "Lock, Stock and Two Smoking Barrels"
and "Snatch" before directing "Sherlock Holmes" and Disney's
live-action version of "Aladdin."
"I'm not sure if I missed (crime capers), it's just as you get
older ... I want to manifest more work," he said.
"This is a script I wrote 15 years ago ... The genesis of it was
... from a while ago and it just felt like now was the time to
make it."
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The cast includes Colin Farrell as a no-nonsense boxing coach,
Charlie Hunnam as Pearson's right-hand man, Henry Golding as a
gangster and Michelle Dockery as Pearson's glamorous wife.
Fletcher works for a tabloid newspaper and Grant, who was a victim
of phone-hacking by reporters, said he drew from his past for
inspiration.
"I've come across a lot of private investigators who work for
tabloid newspapers ... and some of them I had lunch with before the
film. We've sort of become friends. Weirdly, these are people who
hacked my phone. Some of them have been to prison for it, but now
I'm quite friendly with."
Grant has made British headlines for his campaigning against the
return of a Conservative government and a hard Brexit in the Dec. 12
election.
"I panicked about the future of this country," he said. "I think
we've got eight days left to save it really from disaster."
(Reporting by Hanna Rantala in London; Writing by Marie-Louise
Gumuchian; Editing by Matthew Lewis)
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