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				 The film, based on his novel of the same name, is one of 16 in 
				the running for the Berlin Film Festival's Golden Bear award, 
				and shows the naive beginnings and breakneck escalation of the 
				criminal career of a young boy named Nicola. 
 "For the first time in international criminal history young kids 
				have got to the highest levels of a criminal group," said 
				Saviano, author of the best-selling account of organized crime 
				"Gomorrah", ahead of the film's premiere on Tuesday evening.
 
 "There have always been children in these organizations but 
				never as bosses. This is a unique case in history and that is 
				what got me to work on it," added the author, who lives under 
				24-hour guard because of his organized crime reporting.
 
				
				 
				Set in Rione Sanita, a deprived area near the center of Naples, 
				the film startles the viewer with each sudden escalation in 
				Nicola's level of criminality.
 The use of amateur actors recruited in the neighborhood itself 
				lends authenticity to the drama, directed by Claudio Giovannesi.
 
 Nicola (Francesco Di Napoli), first sells weed for the local 
				gang so he can ask them to stop demanding protection money from 
				his mother's laundry shop. Before long, he is torching cars and 
				murdering rivals, even while pursuing a quintessentially teenage 
				romance with neighborhood waitress Letizia (Viviana Aprea).
 
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				"What does a 12-year-old or a 15-year-old feel when they make 
				millions of euros, above all when they know they are heading for 
				their death," asked Saviano. "People are dying at 19 or 20, 
				thinking they have lived a full life."
 Di Napoli said children like the one he portrayed were driven by 
				a sense of having no alternative.
 
 "If you come from an extremely poor family and have nothing at 
				all, you have a hunger within you," said Artem Tkachuk, who 
				plays another gang member. "The alternative is to have a dream, 
				to be able to fight for something they love."
 
 Saviano was critical of Italy's political class for having 
				"given up" trying to offer something for children, leaving them 
				to take their fate into their own hands.
 
 (Reporting by Thomas Escritt and Hanna Rantala; Editing by 
				Frances Kerry)
 
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