Sales at Lego, known around the world for its colorful plastic
bricks, dropped for the first time in a decade in 2017, but it
ended 2018 stronger after gaining market share.
A Lego version of the Star Wars Millennium Falcon space ship was
last year's best seller, while four Harry Potter-themed Lego
sets were among the firm's top-10.
Lego, which competes with toymakers such as Barbie maker Mattel
Inc and Hasbro, said on Wednesday that global sales rose by 3
percent last year, while total revenue rose 4 percent to 36.4
billion Danish crowns ($5.5 billion).
"We had aimed to stabilize the business in 2018, but have
actually returned to moderate growth on all parameters in a very
tough environment," chief executive Niels B. Christiansen said
as operating profit grew by 4 percent to 10.8 billion crowns.
Efforts to combine physical bricks with the digital world,
including programming a Lego set to move and augmented reality,
had also paid off in 2018, Christiansen told Reuters..
While Lego's sales increased in all key markets, China was most
notable with strong double-digit growth, while the United States
and Western Europe returned low-single digit growth.
In China, which still accounts for less than 10 percent of
sales, the toymaker plans to more than double the number of
stores to 140 this year.
"Right now we're not really limited by how private consumption
is developing in China. It's more our ability to develop our
brand and expand to more Chinese cities that's driving growth,"
Christiansen said.
While online and e-commerce sales continued to grow at the
expense of physical stores, Christiansen said these remained key
in order to expand the brand's presence in new markets and give
children "that magic experience".
Lego, which has no shops in India but sells via third party
stores, has begun a push into the Middle East and North Africa.
"India is the next big journey for us. It begins now and over
the coming three years we'll begin to invest heavily in India,"
Christiansen said.
(Reporting by Jacob Gronholt-Pedersen; Editing by Alexander
Smith)
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