Her comments, in a lengthy Instagram post late on Wednesday,
followed a new television documentary in which multiple women
accuse Kelly of sexual misconduct, sometimes with minors.
Kelly, 52, the Chicago singer and record producer best known for
hit song "I Believe I Can Fly," has repeatedly denied
accusations in recent years of abuse, including those made in
the new documentary.
The Grammy-winning singer was tried and acquitted on child
pornography charges in Chicago in 2008.
His attorney has not responded to Reuters requests for comment
about the six-hour documentary "Surviving R.Kelly," broadcast
last week on the Lifetime channel.
It features interviews with several women making on camera
allegations of sexual, mental and physical abuse by Kelly, as
well as interviews with some of his former managers and
producers.
Reuters is unable to independently verify the accusations.
Gaga said she believed the women and found the documentary
"absolutely horrifying."
"I stand behind these women 1000 percent, believe them, and know
they are suffering and in pain, and feel strongly that their
voices should be heard and taken seriously," she said in her
Instagram posting.
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Gaga in 2013 released a duet with Kelly called "Do What U Want (With
My Body.)"
"I intend to remove the song off of iTunes and other streaming
platforms and will not be working with him again," she wrote on
Wednesday. "I'm sorry, both for my poor judgment when I was young,
and for not speaking out sooner."
A Chicago prosecutor on Tuesday urged anyone alleging abuse by Kelly
to come forward so claims could be investigated.
"There is nothing that can be done to investigate these allegations
without the cooperation of both victims and witnesses. We cannot
seek justice without you," Cook County State's Attorney Kim Foxx
told a news conference.
The U.S. entertainment industry has been roiled for more than a year
by scores of allegations of sexual misconduct against producers,
actors and directors, many of whom have lost their jobs or been
forced to step down.
(Reporting by Jill Serjeant; Editing by Andrew Cawthorne)
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