| That's one of the key findings of experts 
				conducting a six-week assessment and restoration of 
				"Sunflowers," painted by the Dutch master in southern France in 
				1889.
 "The base and paint layers are stable, but sensitive to 
				vibrations and changes in air humidity and temperature," said 
				Van Gogh Museum director Axel Ruger.
 
 "It is therefore important that the painting is moved as little 
				as possible and that it is displayed in a stable environment," 
				he said.
 
 In addition to the minor restoration, a team of experts has 
				uncovered details about precisely what materials Van Gogh used, 
				including the exact roll of linen its canvas was cut from.
 
 They said they were now more confident Van Gogh, who painted the 
				canvas in January of 1889, had based it on an earlier 
				"Sunflowers" he painted in the summer of 1888, which now hangs 
				in the National Gallery in London.
 
 In the restoration, a layer of wax is being removed, but several 
				varnishes applied over the years -- and now dirty or discoloring 
				-- cannot be removed because they have bonded with the 
				underlying paint.
 
 "Sunflowers" will go back on display at the Van Gogh Museum in 
				Amsterdam on Feb. 22 under new, more gentle lighting.
 
 (Reporting by Anthony Deutsch, editing by Larry King)
 
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