That's one of the key findings of experts
conducting a six-week assessment and restoration of
"Sunflowers," painted by the Dutch master in southern France in
1889.
"The base and paint layers are stable, but sensitive to
vibrations and changes in air humidity and temperature," said
Van Gogh Museum director Axel Ruger.
"It is therefore important that the painting is moved as little
as possible and that it is displayed in a stable environment,"
he said.
In addition to the minor restoration, a team of experts has
uncovered details about precisely what materials Van Gogh used,
including the exact roll of linen its canvas was cut from.
They said they were now more confident Van Gogh, who painted the
canvas in January of 1889, had based it on an earlier
"Sunflowers" he painted in the summer of 1888, which now hangs
in the National Gallery in London.
In the restoration, a layer of wax is being removed, but several
varnishes applied over the years -- and now dirty or discoloring
-- cannot be removed because they have bonded with the
underlying paint.
"Sunflowers" will go back on display at the Van Gogh Museum in
Amsterdam on Feb. 22 under new, more gentle lighting.
(Reporting by Anthony Deutsch, editing by Larry King)
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