Lionesses need more than another
roar to reach next level
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[July 03, 2019]
By Simon Evans
LYON, France (Reuters) - There was an
upbeat tone to England manager Phil Neville after his team's
semi-final loss to the United States in the women's World Cup
semi-final on Tuesday but when the emotion has faded he will surely
scrutinize more closely how his side's dream ended.
England "conquered hearts and minds", the Guardian newspaper
declared, and while there is no doubt they were outstanding
ambassadors and will have provided inspiration for young girls
taking up the game, they ended up in the same place as in their last
two tournaments.
The Lionesses take their role as promoters of women's football
seriously but they are also a group of players who desperately
wanted to win.
"The aim is for us to become the best, like America. We’ve still got
a bit to go, but I won’t stop until we get there," Neville said.
The most evident area in need of an upgrade is ball retention.
Former England player Alex Scott, now a BBC pundit BBC, noted that
throughout the tournament the team struggled with keeping
possession.
"Sloppy is the right word," she said.
"If Phil has come in with this philosophy that we are going to be
this footballing team, we do want to play out from the back and play
through the thirds, well, we do need to be better on the ball.
"At points we were architects of our own downfall, we were handing
the ball to the U.S," Scott added.
The U.S are stereotyped as a team who rely on speed and athleticism
but they possess much more than that -- midfielder Rose Lavelle is
no powerhouse but she was supremely confident on the ball and
decisive at key moments.
England lacked a player capable of grabbing the game by the scruff
of the neck in midfield and their potency down the right flank, so
prominent in the quarter-final win over Norway, vanished in
Neville's changed formation.
Nikita Parris, who combined to such great effect with attacking full
back Lucy Bronze against Norway, was moved to a more central role
and looked lost throughout the first half.
That raises the question of Neville's tactics.
In the opening stages, which set the tone for the game as England
struggled against waves of American attacks before conceding in the
10th minute, England looked far from organized or compact.
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England manager Phil Neville talks to the players in a team huddle
after the match REUTERS/Lucy Nicholson
CHASING SHADOWS
The Americans were given space in midfield and Keira Walsh and Jill
Scott, both accomplished in their roles, were swamped and left
chasing shadows.
It wasn't until the adjustments Neville made at halftime, with his
team 2-1 down, that England had the shape needed to effectively
challenge the U.S.
England did a good job of chasing the game, thanks to Ellen White's
brilliant finishing which has been the highlight of the tournament
for the team.
White, along with Bronze, is one of the few England players who
would contend for a place in the team of the tournament having
scored six goals.
She might have had another if video review hadn't spotted that her
foot was a couple of centimeters ahead of the last American defender
-- and she could have also added to her tally if she had been given
the late penalty to take.
It is easy to be wise after the event but such has been White's
confidence in front of goal, exhibited again in Lyon, that it is
questionable at least why the spot-kick duty was handed to a
defender in Steph Houghton, whose weak effort was saved.
"I'm not on penalties... staff make the decision," White said. "Steph
was on penalties and she stepped up and fair play to her."
Moments like that are in the category of "ifs and maybes" but what
was clear is that for all the pre-match talk of the Americans being
more beatable than in the past, England are still some way short of
their standard.
With unprecedented backing from the Football Association and top
clubs investing in their women's teams, the potential for progress
is there.
When Saturday's third-place game in Nice is over it will be down to
Neville to find ways to bridge the gap.
(Reporting by Simon Evans, editing by Ed Osmond)
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