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				 Torn, whose late-career resurgence included a key role on U.S. 
				television's "The Larry Sanders Show" and in the movies "Men in 
				Black" and "Dodgeball," died peacefully at his home, his family 
				told the Hollywood Reporter and other media. 
 The cause was not disclosed, but he was surrounded by his wife, 
				actress Amy Wright, known for "Stardust Memories" and "The 
				Accidental Tourist", and his daughters, media reports said.
 
 Neither his family nor agent were immediately available for 
				comment late Tuesday.
 
 Torn showed great range in his career but with a crooked grin, 
				gruff voice and devilish glint in his eyes, he was especially 
				well suited to playing bad boys and unpredictable characters.
 
 He often made headlines because of his volatility. He blamed his 
				dismissal from a production of "Macbeth" on "friends" of the 
				administration of President Richard Nixon, who Torn would later 
				portray in the television mini-series "Blind Ambition."
 
				
				 
				Later in life came alcohol-related incidents, including an 
				arrest in 2010 for breaking into a closed bank that he had 
				mistaken for his home in Salisbury, Connecticut.
 "I have certain flaws in my makeup. Something called 
				rise-ability," Torn told writer Studs Terkel for "Working," a 
				1974 book about people and their jobs. "I get angry easily. I 
				get saddened by things easily."
 
 Torn said he went into acting as a way to use those emotions to 
				his benefit.
 
 "Rip has an unabashed masculine drive. You can't act that," 
				playwright Horton Foote, who cast Torn in his play "The Young 
				Man From Atlanta" and also worked frequently with Torn's second 
				wife, Geraldine Page, told the New York Times.
 
 FARM DREAMS
 
 Torn was born in Temple, Texas, on Feb. 6, 1931, and grew up 
				with aspirations of being a farmer before discovering drama at 
				the University of Texas. After graduating, he and first wife Ann 
				Wedgeworth moved to New York in the late 1950s.
 
 Torn, who studied at Lee Strasberg's legendary Actors Studio, 
				found steady stage and television work. His early movies 
				included "King of Kings" (1961), "The Cincinnati Kid" (1965) and 
				the war films "Pork Chop Hill" (1959) and "Beach Red" (1967).
 
 Torn was a good fit for Tennessee Williams' plays, such as 
				portraying the menacing Tom Jr. in "Sweet Bird of Youth," which 
				earned him a Tony nomination. He reprised the role in a movie in 
				1962 and also played Big Daddy in a 1984 TV production of 
				Williams' "Cat on a Hot Tin Roof."
 
 Much of Torn's work in the 1970s and '80s consisted of one-off 
				TV roles and a few little-seen experimental films. Among the 
				exceptions were "Cross Creek," a 1984 film that earned him an 
				Academy Award nomination, and 1972's "Payday" in which he 
				starred as a hard-drinking, womanizing country singer.
 
 Torn blamed the career slowdown partly on his political views, 
				including criticism of the Vietnam War, but he came out of it in 
				the '90s, boosted by his part in Albert Brooks' much-praised 
				life-after-death comedy "Defending Your Life."
 
 From 1992 through 1998 he had the scene-stealing role of Artie, 
				the all-knowing producer on "The Larry Sanders Show," Garry 
				Shandling's satiric take on late-night television. Torn won an 
				Emmy in 1996 and was nominated five other times for the role.
 
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			Torn also played Zed, the alien-busting boss in two "Men in Black" 
			movies, and was Patches O'Houlihan, the snarling wheelchair-bound 
			burn-out case whose idea of training his charges in the 2004 comedy 
			"Dodgeball" was to throw tools at them ("If you can dodge a wrench, 
			you can dodge a ball!").
 A run on the NBC sitcom "30 Rock" brought Torn another Emmy 
			nomination in 2008.
 
 
			UNEASY MEETING
 Torn gained notoriety for a role he did not get in the classic 
			hippie-era movie "Easy Rider." Novelist-screenwriter Terry Southern 
			wanted Torn to play a disenchanted lawyer in the film (the part 
			eventually went to Jack Nicholson). But when they had dinner with 
			stars Dennis Hopper and Peter Fonda to discuss it in 1967, an 
			altercation broke out.
 
 Hopper would say Torn threatened him with a knife but Torn contended 
			it was Hopper who pulled the knife and that he had taken it away 
			from Hopper and turned it on him.
 
 Torn said Hopper's account made him look unstable and hurt his 
			career. When Hopper repeated the story on the "Tonight" show in 
			1994, Torn sued and won $475,000 in damages.
 
 Torn was a co-star in one of the most remarkable scenes in movie 
			history - a real fight with friend Norman Mailer in "Maidstone," a 
			1970 experimental film the writer was directing and starring in.
 
 Mailer played a presidential candidate who feared assassination and 
			Torn his half brother in the highly improvised film, which was to 
			conclude with the killing of the candidate. For the final scene, 
			Torn went up to Mailer unannounced and struck him on the head with a 
			hammer, drawing blood.
 
			
			 
			In the ensuing grappling, Mailer bit Torn's ear and Torn ended up on 
			top of him, choking the writer until two men and Mailer's wife, who 
			was screaming and slapping Torn, separated them - all while the 
			cameras rolled.
 Torn, who would end up in a hospital after his bitten ear became 
			infected, insisted Mailer knew what was coming and that he had used 
			the hammer's handle to hit him.
 
 Torn went into entertainment with a name that many assumed was a 
			corny, ill-conceived stage name. For a while he carried his passport 
			with him to show skeptics that his name really was Elmore Rual Torn 
			Jr. and told them that Rip was a long-standing nickname for the men 
			in his family.
 
 "If anything, my name has made me work harder," he told the New York 
			Times. "Some people just seem to take instant umbrage at it."
 
 Torn, who helped his cousin Sissy Spacek start her movie career, had 
			six children in his marriages to Wedgeworth, Page and Amy Wright.
 
 (Writing and reporting by Bill Trott; Additional reporting by Rich 
			McKay; Editing by Peter Cooney and Patricia Reaney)
 
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