The 2nd U.S. Circuit Court of Appeals in Manhattan said the
great-grandniece of Paul Leffmann, who once owned Picasso's "The
Actor," waited too long by not demanding the painting's return
until 2010, which was 72 years after it was sold and 58 years
after it was donated to the Met.
Writing for a three-judge panel, Chief Judge Robert Katzmann
recognized that the federal Holocaust Expropriated Art Recovery
Act of 2016 and other recent measures respected the need to
provide "some measure of justice, albeit incomplete," to victims
of Nazi brutality and their heirs.
But he said it would be unfair for the Met to give up the
Picasso to Leffmann's great-grandniece, Laurel Zuckerman, given
the "unreasonable" delay in demanding its return.
"This is not a case where the identity of the buyer was unknown
to the seller or the lost property was difficult to locate,"
Katzmann wrote. "The Met has been prejudiced by the more than
six decades that have elapsed since the end of World War II."
Zuckerman's lawyer had no immediate comment. A lower court judge
also sided with the Met in February 2018.
According to the complaint, Leffmann sold "The Actor" to a Paris
art dealer for $12,000 to fund the escape by him and his wife to
Switzerland from Italy, which was then led by Benito Mussolini,
an ally of Adolf Hitler.
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Zuckerman said the Met did not properly recognize Leffmann's
ownership until 2011, after decades of incorrect cataloguing.
A Met spokeswoman said the museum "considers all Nazi-era claims
thoroughly and responsibly," and has returned works that were
unlawfully appropriated.
The Picasso was not such a work, she said, adding "and it is our
responsibility and joy to share it with the widest possible
audience."
The 2016 federal law gives people six years to file claims after
learning the whereabouts of artwork lost between 1933 and 1945
because of Nazi persecution.
Painted during Picasso's "Rose Period" in 1904 and 1905, "The Actor"
also made news in January 2010 when an art student lost her balance
and fell into it. The resulting six-inch (15 cm) tear was repaired.
The case is Zuckerman v. Metropolitan Museum of Art, 2nd U.S.
Circuit Court of Appeals, No. 18-634.
(Reporting by Jonathan Stempel in New York, editing by G Crosse)
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