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			Fashion and champagne grace Nigeria polo party 
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			 [March 25, 2019] 
			LAGOS (Reuters) - When polo 
			comes to Lagos, the champagne flows and exuberant fashion colors 
			adorn the green fields. 
 While most Nigerians would never trade their love of soccer, the 
			commercial capital still hosts the biggest polo tournament in West 
			Africa, with trophies fiercely disputed against a backdrop of glitz 
			and glamour for the upper class.
 
 "Polo has shifted from just the sports to a fashion statement," said 
			Mudrakat Alabi-Macfoy, wearing an airy white kaftan with a 
			multi-colored floral necklace and head wrap at the Lagos Polo Club.
 
 "For me it is something fun, something playful, something whimsical, 
			something comfortable ... a bit of color, a bit of pop," said 
			Alabi-Macfoy, who works as a lawyer when not watching polo.
 
			
			 
			In a nation with the world's highest number of people in extreme 
			poverty, the often-dubbed "sport of kings" is prohibitively 
			expensive for the majority.
 First introduced by British colonial servicemen, polo has been 
			played in Nigeria for over a hundred years and nearly all the teams 
			are owned by local multi-millionaires.
 
 "It is an expensive sport because, you know, your horses are like 
			babies," said Koyinsola Owoeye, who has been playing polo since 
			2007, seduced by his father's love of the sport.
 
 A horse can cost about $40,000 - then there is upkeep.
 
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			Polo players compete during a match at the 2019 Lagos International 
			Polo Tournament, Nigeria March 16, 2019. REUTERS/Afolabi Sotunde 
            
			 
            "Maintenance is not easy. Today they can be well, tomorrow they can 
			have, you know, malaria, fever, colic, or even get injured on the 
			field or on their way to the tournament," Owoeye said.
 The 2019 Lagos International Polo Tournament, which wound up on 
			Sunday, fielded 33 teams from Nigeria, Argentina, South Africa, 
			Kenya and the United Kingdom.
 
 (Reporting by Afolabi Sotunde, Nneka Chile and Seun Sanni in Lagos; 
			Writing by Paul Carsten; Editing by Andrew Cawthorne)
 
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