| On Monday, when Pope Francis visited a Catholic 
				shrine in Loreto, he repeatedly withdrew his right hand as a 
				long line of people bowed and tried to kiss the ring on it.
 The footage went viral and the pope's refusal quickly entered 
				what are known as the Catholic cultural wars between 
				conservatives and progressives.
 
 LifeSiteNews, a conservative Catholic website that often 
				criticizes the pope, called the episode "disturbing" in the 
				headline of an article that included a long history of the rings 
				pope's wear and their significance.
 
 Rorate Caeli, a website read by Catholic traditionalists, 
				Tweeted: "Francis, If you don't want to be the Vicar of Christ, 
				then get out of there!"
 
 Papal biographer Austen Ivereigh, a supporter of Francis, 
				countered by Tweeting: "He's making sure that they engage with 
				him, not treat him like a sacred relic. He's the Vicar of 
				Christ, not a Roman emperor."
 
 "It's high time kissing bishops' rings disappears altogether. 
				It's just ridiculous and has nothing to do with tradition. It's 
				an import from monarchies. Much of the pomp around bishops 
				should be ditched," Tweeted Jesuit priest Russell Pollitt.
 
 Some Vatican watchers noted that even former Pope Benedict, a 
				hero to nostalgic conservatives, and his predecessor John Paul, 
				did not like having their hands kissed - at least not by long 
				lines of people, for the sake of expediency.
 
 One Twitter user recalled that when he visited Pope John Paul 
				with a group of 50 people they were told specifically not to 
				kneel or kiss the papal hand.
 
 The Vatican did not say why the pope was so insistent on not 
				having the ring - a simple silver one with a cross - kissed in 
				the long receiving line on Tuesday.
 
 "Sometimes he likes it, sometimes he does not. It's really as 
				simple as that," said a close aide to the pope who spoke on the 
				condition of anonymity. The aide added he was "amused" by all 
				the reaction.
 
 (Reporting by Philip Pullella; Editing by Alexandra Hudson)
 
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