The coming-of-age tale has already won critical
acclaim, securing the Grand Prix award at the Cannes Film
Festival in May, and it will reach a wider audience this month
when it hits U.S. cinema screens and debuts on screening
platform Netflix.
The film centers on Ada, a young woman facing a forced marriage
whose life unravels after her secret lover Souleiman drowns at
sea. Like thousands of West Africans in recent years, he had
risked his life on the Atlantic route via the Canary Islands to
Europe in search of a better future.
But rather than focusing on the migrants' fate,
Franco-Senegalese Diop highlights the challenges and struggles
faced by many young people inside Senegal, where around half the
population live below the poverty line.
"It was very delicate to make a movie about this because you
take the risk of locking an entire youth and an entire country
within the theme of immigration, and that was everything which I
did not want to do," said Diop, the first black female director
to win the jury prize in Cannes.
To preserve authenticity, Diop chose not to employ professional
actors in key roles. She met Ibrahim Traore, who plays Souleiman,
on a construction site. Other cast members were found outside
night clubs or in the streets where the film is set.
Traore's character decides to brave the ocean after not being
paid for months for his building work - a common issue in
Senegal where underemployment is widespread.
"Everything that was covered in the movie exists in Senegal,"
said Amadou Mbow, who plays a police officer who ends up being
possessed by Souleiman's ghost.
"It's really Senegal's reality: forced marriage and exploitation
of the youth."
The number of Senegalese risking the Atlantic route has fallen
sharply from its mid-2000s peak, when tens of thousands reached
the Canary Islands or died trying. But the lack of opportunities
is a growing issue in a country where more than 40% of the
population is under 15.
(Additional reporting by Christophe Van Der Perre and Yvonne
Bell; Writing by Juliette Jabkhiro; Editing by Alessandra
Prentice and John Stonestreet)
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