The
directive comes after Chuck Schumer, the top Democrat in the
U.S. Senate, urged the Army to review potential risks in its use
of the popular video app for recruiting American teenagers.
On Thursday, Army Secretary Ryan McCarthy said the Army was
undertaking a security assessment of the app, which is owned by
tech giant Beijing ByteDance Technology Co.
The U.S. Army Cadet Command, which issued the order, oversees
the Reserve Officers Training Corp, ROTC, and Junior ROTC, to
train university and high school students for the military. The
guidance from cadet command was issued in order to "err on the
side of caution", an Army spokeswoman said.
While cadets can still use the app for their own personal use,
the guidance would prohibit them posting TikToks for
recruitment, while in uniform or performing official duties. The
directive was first reported by online military-focused
publication Task & Purpose.
A Reuters search of the hashtags "#rotc" and "#jrotc" found
multiple TikToks of young men and women in U.S. military
uniforms lip-syncing, dancing and performing training exercises.
TikTok did not immediately respond to a request for comment.
The company has previously stressed its independence from
Beijing and said no U.S. user data is stored in China, but it
has failed to assuage congressional concerns about the security
of the personal data of U.S. citizens using the app and whether
content on the platform is subject to censorship from Beijing.
The Committee on Foreign Investment in the United States (CFIUS)
has launched a national security review of ByteDance's $1
billion acquisition of U.S. social media app Musical.ly.
An Army spokeswoman said the Army has not given any other
specific guidance on the use of TikTok, but that it does have
formal social media guidance that applies to the use of all
current and emerging social media platforms.
"We also continuously remind soldiers to remain vigilant about
the risks of using any social media platform when sharing their
personal information and data," she said.
(Reporting by Elizabeth Culliford; Editing by Peter Henderson
and Daniel Wallis)
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