The buzz around the Brooklyn-born singer, whose
full name is Mikaela Straus, has built since her single "1950",
inspired by "The Price of Salt", the Patricia Highsmith novel
about a forbidden lesbian affair. The soulful ballad has more
than 10 million YouTube views since it appeared in February last
year.
Speaking at the Glastonbury Festival in June, Straus said she
was "really, really excited" about the album. "It's going to be
fierce," she said, adding that the songs had been inspired by
"the usual girl heartbreak".
"Honey, heartbreak, hard times, friendships, you know, that
shit, all the good shit," she said.
As her stage name suggests, she plays with gender roles,
appearing in the "1950" video in a cowboy outfit with a
pencilled-in moustache. She sings of a girlfriend who rescues
her "when the dudes try to chase me... cause I'm just a lady".
But she said it was important that LBGT artists aren't
pigeonholed, as they might once have been.
"The thing about queer people's careers in the past is that it's
been focused on a narrative of sexuality and you don't get the
substance," she said. "And I, before anything, want to deliver
the music and then give you the gay shit, too, on top of it like
an extra treat."
"There's amazing queer people in the audience, (but) there's
also people who just love music and are there to just jam out
and that is just equally as important to me," she said.
Straus was one of the first signings to Mark Ronson's Zelig
Records, an imprint of Columbia Records, after the musician and
producer known for working with Amy Winehouse and Adele heard
her "Make My Bed" EP.
"We had dinner and started hanging out a bit and talking about
music," she said. "You get to meetings and it feels super
sterile most of the time, and it was just really nice to talk
with somebody who produced some of my favorite records and is
just a super fan of music in general."
(Reporting by Hanna Rantala and Paul Sandle; Editing by Peter
Graff)
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