| The buzz around the Brooklyn-born singer, whose 
				full name is Mikaela Straus, has built since her single "1950", 
				inspired by "The Price of Salt", the Patricia Highsmith novel 
				about a forbidden lesbian affair. The soulful ballad has more 
				than 10 million YouTube views since it appeared in February last 
				year.
 Speaking at the Glastonbury Festival in June, Straus said she 
				was "really, really excited" about the album. "It's going to be 
				fierce," she said, adding that the songs had been inspired by 
				"the usual girl heartbreak".
 
 "Honey, heartbreak, hard times, friendships, you know, that 
				shit, all the good shit," she said.
 
 As her stage name suggests, she plays with gender roles, 
				appearing in the "1950" video in a cowboy outfit with a 
				pencilled-in moustache. She sings of a girlfriend who rescues 
				her "when the dudes try to chase me... cause I'm just a lady".
 
 But she said it was important that LBGT artists aren't 
				pigeonholed, as they might once have been.
 
 "The thing about queer people's careers in the past is that it's 
				been focused on a narrative of sexuality and you don't get the 
				substance," she said. "And I, before anything, want to deliver 
				the music and then give you the gay shit, too, on top of it like 
				an extra treat."
 
 "There's amazing queer people in the audience, (but) there's 
				also people who just love music and are there to just jam out 
				and that is just equally as important to me," she said.
 
 Straus was one of the first signings to Mark Ronson's Zelig 
				Records, an imprint of Columbia Records, after the musician and 
				producer known for working with Amy Winehouse and Adele heard 
				her "Make My Bed" EP.
 
 "We had dinner and started hanging out a bit and talking about 
				music," she said. "You get to meetings and it feels super 
				sterile most of the time, and it was just really nice to talk 
				with somebody who produced some of my favorite records and is 
				just a super fan of music in general."
 
 (Reporting by Hanna Rantala and Paul Sandle; Editing by Peter 
				Graff)
 
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