Mertens ends Ahn’s Cinderella run
at the U.S. Open
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[September 03, 2019]
By Arlyn Gajilan
NEW YORK (Reuters) - Belgium's Elise
Mertens put American wildcard Kristie Ahn’s U.S. Open run to an
abrupt end on Monday, defeating her soundly 6-1 6-1 to reach the
quarter-finals.
Ahn may not have gotten as much attention as fellow Americans Coco
Gauff or Taylor Townsend at Flushing Meadows but she walked into
Louis Armstrong Stadium with major momentum.
The 27-year-old former Stanford University player had beaten Mertens
in San Jose a little over month ago and reached the fourth round
without dropping a set, becoming the first Asian American woman to
make the round of 16 since 2000.
But Mertens, seeded 25th, was too consistent, keeping her unforced
error count low and winning 79% of points on first serve.
Mertens will face the winner of the late match between American
Taylor Townsend and Canada’s Bianca Andreescu.
“She played really smart and made adjustments since San Jose,” said
Ahn, who had never won a main draw match at her three previous Grand
Slam appearances.
"She didn’t allow me to see the same ball twice.”
Ahn’s former Stanford coach Lele Forood felt there was plenty of
up-side for the late-bloomer going forward.
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Elise Mertens of Belgium serves against Kristie Ahn of the United
States (not pictured) in the fourth round on day eight of the 2019
US Open tennis tournament at USTA Billie Jean King National Tennis
Center. Geoff Burke-USA TODAY Sports
“One of the benefits of having a great slam is the income that comes
out of it,” Forood, who continues to counsel Ahn via text, told
Reuters.
"The financial pressure is off for a little while and now she’ll be
eligible for more tour level events.”
Ahn's $280,000 cheque for reaching the round of 16 is nearly double
her $143,000 in prizemoney earned earlier this year.
The 141st-ranked Ahn will also break into the top 100, making her
eligible for more WTA events.
“In 2017 I would have thrown a party,” said Ahn of cracking the top
100.
Now, she added: "I want more."
(Reporting by Arlyn Gajilan; Editing by Ian Ransom)
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