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				 "Sharp Objects" actress Eliza Scanlen plays Milla, who while 
				undergoing chemotherapy following a relapse falls in love with 
				small-time drug dealer Moses. 
 Her parents disapprove of Moses but slowly realize he is helping 
				Milla through her struggles.
 
 The movie, which premiered at the Venice Film Festival on 
				Wednesday, is an intimate portrait of a family, showing their 
				weaknesses, reliance on self-medication and coping mechanisms.
 
 Based on the play by Australian playwright and actress Rita 
				Kalnejais, the storyline is peppered with laugh-out loud moments 
				even in the darkest of times.
 
 "With my design team, we talked so much about how in every frame 
				we wanted to have an element of humor if it was a heavy scene or 
				an element of drama if it was a humorous scene," Murphy, who has 
				long worked in theater, told a news conference.
 
				
				 
				Milla, who dons various wigs including a blue cropped look, 
				wants to enjoys the thrills of first-time love.
 "We found a way for the quirkiness of Milla to exist within the 
				darkness of the story," Scanlen said.
 
 She added she thought "Babyteeth" would appeal to younger 
				audiences, describing Milla as the "most mature" of all the 
				characters.
 
 "She's negotiating with three very distinct personalities and 
				more often than not when you are at that age and you're on the 
				brink of womanhood you are trying to navigate your parents who 
				are afraid to let go," she said.
 
 "Rogue One" and "Captain Marvel" actor Ben Mendelsohn, who plays 
				Milla's father, described the script as "a beautiful rendering 
				of the finest virtues of Australia".
 
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			"LIFE-AFFIRMING STORY"
 "It's a very powerful love story, and a very life-affirming story by 
			a bunch of pretty contemporary, damaged, messy people," he said, 
			"That's a real joy. It's an incredibly beautiful piece, it makes me 
			want to cry just talking about this film."
 
			Asked about mixing humor and pain in the script, Kalnejais recounted 
			losing a friend in her 20s.
 "I didn't set out to write this story, it sort of just bubbled out 
			of me," she said.
 
 "I guess my experience is that when people are in grief or having a 
			really intense time they're so funny - like you have to be funny to 
			get through it and it kind of brings you closer together."
 
 Murphy is one of just two female directors out of a total 21 
			competing for the festival's Golden Lion Prize.
 
 Asked about the gender disparity in the film industry, she said: 
			"It's a real struggle always having to answer questions about being 
			a female filmmaker.
 
 "I feel like it takes away from the artistry of what we're trying to 
			do... and it also continues the mythology of the great male director 
			and his poetic process and we're constantly having to talk about the 
			struggle and the hardship."
 
 (Reporting by Marie-Louise Gumuchian; Editing by Gareth Jones)
 
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