| Tokyo Olympic organizers say no 
			plans to ban 'Rising Sun' flag despite South Korean demand
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			 [September 13, 2019] 
			By Linda Sieg 
 TOKYO (Reuters) - Tokyo Olympic 
			organizers said on Friday that the display of Japan's "Rising Sun" 
			does not constitute a political statement and a spokesman said there 
			were no plans to ban the controversial banner, as demanded by South 
			Korea.
 
 The flag, a centuries-old symbol that was also used by Japan's 
			military during World War Two, is the latest diplomatic football in 
			a worsening feud between South Korea and Japan over the bitter 
			legacy of their shared past.
 
 South Korea's Sports Ministry this week asked the International 
			Olympics Committee to prohibit any use of the flag, which it likened 
			to the Nazi's use of the swastika.
 
 Tokyo 2020 does not anticipate banning the "Rising Sun" flag, 
			spokesman Masa Takaya told Reuters.
 
 "The 'Rising Sun' flag is widely used in Japan and we think the 
			display of the flag is not a political statement," the Tokyo 2020 
			organisers said in a statement, echoing the committee's previous 
			stance.
 
			
			 
			The statement added that, as had been done at past Games, it was 
			considering designating non-participating countries' flags as among 
			items that cannot be brought into venues. Takaya said this was a 
			general statement, not a reference to the "Rising Sun" flag.
 Ties between Washington's two Asian allies have deteriorated to 
			their worst level in decades after South Korea's Supreme Court last 
			October ordered some Japanese firms to compensate Koreans forced to 
			work in their wartime mines and factories. Japan says the matter was 
			settled by a 1965 treaty.
 
 The feud has since jolted trade and security ties.
 
 Many Koreans resent the "Rising Sun" flag as a symbol of Japan's 
			1910-1945 colonisation of the peninsula, but its use has become more 
			controversial as relations with Japan chilled.
 
 LONG, COMPLEX HISTORY
 
 The "Rising Sun" flag - a sunburst with 16 rays - is separate from 
			Japan's "Hinomaru" flag that was legally made the national flag in 
			1999. Domestic critics at the time opposed the move because of its 
			association with wartime militarism.
 
			Japan's Olympic team uses the "Hinomaru" flag, a red disc on a white 
			background.
 The "Rising Sun" flag, flown by Japanese feudal warlords, was 
			adopted in 1870 as the flag of the Japanese Imperial Army. In 1889 
			it became the navy ensign.
 
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			Japan's soccer fans raise the Rising Sun flags before the match 
			against Afghanistan. REUTERS/Toru Hanai 
            
			 
            It was then adopted as the ensign of the Maritime Self-Defence 
			Force, as Japan's navy is known, when the MSDF was established as 
			part of Japan's Self-Defense Forces in 1954.
 Last year, Japan called off its plan to take part in an 
			international fleet review in South Korea after Seoul asked it not 
			to fly the flag on warships - although it had done so without 
			objections in fleet reviews in 1998 and 2008.
 
 China, which also shares a bitter wartime history with Japan, did 
			not complain when a Japanese naval vessel flew the "Rising Sun" 
			ensign during an April visit to a Chinese port.
 
 Football's governing body FIFA, however, has banned its use and in 
			2017 the Asian Football Confederation sanctioned Japan after 
			Japanese fans flew the flag at an AFC Champions League.
 
 The "Rising Sun" flag is a favourite of Japan's ultra-right, but it 
			is also used on commercial products and is a corporate logo of the 
			liberal Asahi newspaper.
 
 Some experts said comparisons to the Nazi swastika were overdone. 
			"The swastika is indelibly linked to the Gestapo, the Holocaust and 
			the horrors of Nazism," said Jeff Kingston, director of Asian 
			studies at Tokyo's Temple University campus.
 
 "The Japanese view this as a flag with a long tradition extending 
			well beyond Japanese colonialism," he said. "For Korea, it 
			symbolises unresolved grievances of the colonial era."
 
 (Reporting by Linda Sieg; Editing by William Mallard & Simon 
			Cameron-Moore)
 
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