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				 Miuccia Prada, considered an industry trailblazer, presented a 
				spring line she said was about "the power of women over 
				clothing" dressing models in breezy dresses and sharp suits. 
 A grey sweater and lightweight white skirt opened the Italian 
				luxury label's show, where celebrities including Hollywood stars 
				Nicole Kidman and Regina King as well as rapper A$AP Rocky sat 
				on the front row.
 
 There were briefs nods to the 1920s with layered dresses and 
				suits in dark colours or geometric patterns recalled the 1970s.
 
 A leaf embroidery adorned coats, dresses and long pencil skirts 
				while jewellery included shell necklaces and earrings.
 
 Dresses were overall light, colourful ribbed knits came as 
				halterneck tops and pencil skirts. Black coats with white 
				buttons were almost teacher-like. Leather skirts were tied at 
				the waist and dabs of brocade popped up on suits.
 
				
				 
				
 "I tried to work so the person is more important than the 
				clothes and the fashion," Prada told reporters.
 
 "It was more about personal style than fashion."
 
 Trousers were wide-legged, worn with jackets with white buttons.
 
 Heels, sandals, platforms, boots and flats as well as 
				bonnet-like hats - colourful, golden or in snakeskin print - 
				completed the looks with Prada's staple handbags.
 
 UK-based Peter Pilotto added "a dose of solar optimism" to the 
				catwalk with a vibrant and colourful collection that merged 
				beach and ballroom inspirations.
 
 As well as unveiling their latest womenswear, designer duo Peter 
				Pilotto and Christopher De Vos showcased some new creations for 
				men in the line that included plenty of floral patterns and 
				bright hues - orange, lime, turquoise and pink.
 
 Dresses came in towel-like materials and skirts were reminiscent 
				of sarongs, accessorised with summer hats.
 
 Shirts were large and loose and there were also engineered 
				cropped knit tops and dresses, ribbed skirts, crochet-like 
				cardigans and spacious jackets.
 
 The ballroom theme came in the shape of voluminous skirts 
				synched at the waist, corseted tops and silk gowns worn with 
				sparkling jewellery and stiletto heels.
 
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			Male models wore silky suits, floral printed shirts and cropped 
			trousers, accessorised with hats and sandals. One model looked like 
			he was heading straight for the sea wearing a colourful 
			bathrobe-like design over shorts and an open shirt.
 "For us it was not really about launching menswear yet because we 
			are not yet, but it was more about seeing how to change the female 
			silhouette," Pilotto told reporters backstage.
 
			"As male designers we feel that more than ever it's important to 
			connect even deeper to the garments so we wanted to be able to try 
			them on ourselves and understand how they feel."
 The designers said they wanted to create an abstract floral painting 
			feel. The mixed designs were also inspired by couples borrowing each 
			other's clothes.
 
 "We want to explore that idea further, it's a kind of a gender 
			neutral range, which depending on how it's worn can be either very 
			masculine or very feminine and we feel that's a very modern way 
			forward," Pilotto said.
 
 The brand, which launched in 2007, has dressed numerous celebrities 
			and was the bridal choice for Britain's Princess Eugenie when got 
			married at Windsor Castle last year.
 
 
			Italian designer Alberta Ferretti picked vibrant colours for her 
			collection that also nodded to 1970s fashion: long dresses, tunic 
			tops and frilled shirts tucked into high-waisted trousers or shorts.
 
			
			 
			A peacock motif decorated many of the designs, which came in pink, 
			purple, brown, yellow and orange. Evening dresses in mainly blue and 
			black were long and shimmering.
 
 Milan Fashion Week is the third leg in the month-long Spring/Summer 
			2020 catwalk run which began in New York and also includes London 
			and Paris.
 
 (Reporting by Marie-Louise Gumuchian; additional reporting by 
			Claudia Cristoferi; Editing by Alexandra Hudson)
 
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