Chang, 52, is one of the highest-selling
artists in China, with 40 albums that have sold in their
millions across South and East Asia during his three-decade
musical career.
Chang's new ambition is to make Chinese pop music more popular
in the West, drawing inspiration from the success of Korean pop,
or "K-pop", which has taken the world by storm since the 1990s.
K-pop boyband BTS performed sold-out concerts to adoring British
fans and scored a number one album in the UK charts earlier this
year. Chang wants to follow their lead, doing for China's image
what K-pop has done for South Korea.
"The whole world knows the economic power of China," Chang said.
"But I think there are more parts that we can share with the
world – Chinese culture, and also Chinese pop music. There are
so many people interested in Chinese and they want to know
more... so I think it’s a great time to open the gate."
He hopes the show in April will include new songs produced
together with prolific musical lyricist Tim Rice, most famous
for writing "Jesus Christ Superstar" and "Evita" with Andrew
Lloyd Webber. Chang describes Rice as his "childhood idol".
Chang also recently spent 10 days in Stockholm working with an
unnamed Swedish composer and arranger with experience of
collaborating with K-pop artists, the results of which he hopes
will be ready for his April performance in London.
Chang admits the prospect of performing at the legendary Royal
Albert Hall - following in the footsteps of stars such as Eric
Clapton and Adele, as well as symphony orchestras from around
the world - makes him very nervous, even after 30 years on
stage.
"Everyone in the world who likes music knows that the Royal
Albert Hall is a landmark venue," he said. "I never thought I’d
have the opportunity to perform in such a place."
Asked to describe what music means to him now, Chang said:
"Music gives me the joy of life. To my mind, music is not work,
or something which I’m trying to reach certain career goals
with. In music, I am most comfortable."
(Reporting by Victoria Waldersee and Hanna Rantala; Editing by
Gareth Jones)
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