Going to the loo is a much more futuristic experience in the
Land of the Rising Sun and touring fans have been fascinated by
their visit to these high-tech "washlets".
These Japanese toilets offer a wide variety of functions. Some
open automatically when you approach them and many offer a warm
seat for a bit of comfort on cold winter nights.
The numerous options on the control panel, however, can be
confusing.
Two hours after landing at Tokyo's Haneda airport, French fan
Alex Weimer would not call his first experience a great one.
"There were something like 15 buttons in Japanese and I didn't
know which one to press. there were strange symbols with sprays
going into every direction..." he said.
"The flush was on the other side, I frantically pressed all the
buttons and it made strange noises."
It certainly is not to everyone's liking.
"A bit too sophisticated for me. I just like the simple one,
push the button without all the other experiences," said All
Blacks fan Brent York, although his friend Bernard James felt
differently.
"I think when you first encounter them it's a bit intimidating
but we've been to Japan many times, now we're used to them,"
said James.
"Japan leads the way in toilets technology."
Hygiene is very important in Japan. People wash their bodies
before entering a bath and they take off their shoes when
entering their home.
Washlets can be found everywhere in Japan -- in public toilets,
hotels and in people's homes.
Known for being a tech-savvy population of over 126 million, the
market for washlets is huge.
At toilet manufacturer Toto's showroom in Tokyo, the latest
toilet technology is on display. From the bog standard one to
the most advanced, there's a choice for everyone.
But it can be expensive. From a starting price of around 25,000
JPY (US$232) some go well over 1 million JPY (US$9,300).
In any case, come the end of the World Cup, some of the expected
500,000 visitors may be wishing they could take a little part of
Japanese technology home with them.
(Reporting by Lucien Libert; writing by Jack Tarrant; editing by
Amlan Chakraborty)
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