Zellweger, 50, has won rave reviews for her heartbreaking
portrait of Garland in "Judy," out in U.S. movie theaters on
Friday, and awards pundits are already predicting a fourth Oscar
nomination.
"Judy" focuses on the period when Garland struggled with
alcohol, prescription drug use and her broken finances on a trip
to London in late 1968 for a series of concerts. The "Wizard of
Oz" star died at age 47 of an accidental drug overdose in June
1969.
Zellweger took voice lessons for a year before filming started
and worked with a choreographer to capture Garland's mannerisms
in the final year of her life.
"I put the music on and then I started digging for the books and
I ordered the books and then I dug around on the Internet every
day and I just took in very greedily everything I could find. I
was just in love and I got more and more greedy," Zellweger told
Reuters Television.
"I didn't want to be away from it," she added.
Zellweger's transformation from the blond actress who played
British singleton "Bridget Jones," sang in movie musical
"Chicago" and won a supporting actress Oscar for drama "Cold
Mountain" has been called a career best performance by critics.
While the actress "hardly seems like a natural doppelganger for
Garland, she subsumes herself completely in the role, without
ever tipping over into some kind of gestural Judy drag," wrote
Entertainment Weekly.
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Zellweger's co-stars were also amazed.
"She was rarely not Judy. She had so much to do. She was often
working before I got there and she was still working after I left. I
rarely saw her outside of the character and so I kind of forgot who
Renee was," said Finn Wittrock, who plays Garland's fifth and last
husband Mickey Deans.
While Garland's children - Liza Minnelli, Lorna Luft and Joey Luft -
were not involved in the making of the film, Zellweger hopes they
will see that "our intention to celebrate her is evident."
"When you understand what it is that she was able to overcome in
order to continue to deliver and continue to perform for her
audiences, and connect with people and move them in the way that she
did, is to then really understand how extraordinary she was," she
said.
(Writing by Jill Serjeant; Editing by Marguerita Choy)
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