There are six other pieces of graffiti like it around Mathare,
the Kenyan capital’s second-largest slum. One urges people to
wash their hands, another to use mobile money rather than
germ-ridden cash.
All are public health messages to avoid the new coronavirus. As
of Wednesday, Kenya had 303 confirmed cases of the disease and
14 deaths.
In a densely crowded settlement where social distancing and
working from home are a pipe dream for most, the campaign is
designed to teach people tangible ways in which they can protect
themselves and their community from the coronavirus.
Unlike the stuffy government news conferences on television, the
campaign uses the voices of the people who live there.
The graffiti campaign is the brainchild of Antony Mwelu, a
24-year-old content creator with Light Art Club and graffiti
artist Brian Musasia Wanyande.
Mwelu, who was born and raised in Mathare, realised he needed to
do something after visiting the neighbourhood several weeks ago.
"I was sitting with the boys and I asked them 'Do you believe in
corona?'. Most of them were like ‘No we don’t believe it’."
Wanyande had a similar experience.
"There’s a lot of misinformation going around,” Wanyande said.
“And some of the real information has been given out in
difficult English words.”
So, Wanyande said, he saw a need not only for catchy images but
also accessible language to get the message across. Some of the
graffiti is in Sheng, a local slang.
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Mathare residents – who might number as many as half a million,
according to the Mathare Foundation – have taken to the new images.
As Wanyande painted the pieces urging people to use mobile money –
which included a larger-than-life image of a grinning man leaning
against his motorbike taxi and a woman in front of her street-side
banana stall – a crowd gathered.
Dozens of residents ogled the art, with some squinting into their
smartphones to take pictures.
The team includes and employs residents, too. Wanyande – who is
well-known in Nairobi graffiti circles – has worked with
up-and-coming Mathare artists on several pieces.
Other people have been hired to help in other ways, including with
security, Mwelu said. The cash they can earn is badly needed as
other casual labour dries up.
For now, the project is self-funded. Mwelu’s team is using money
made on corporate campaigns.
"For the purpose and the people, rather than the profit," he said.
(Editing by Katharine Houreld, Robert Birsel)
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