"It's a very small story in its way. It's just
two young people and their journey over four years, but it
became this international phenomenon," said Lenny Abrahamson,
who directed six of the 12 episodes in the series that launches
on Hulu and the BBC this week.
"A story about first love is universally appealing to any age,"
he said in an interview.
"Normal People," published in 2018 as Irish writer Rooney's
second novel, traces the secretive, on and off again sometimes
awkward relationship between smart but unpopular Marianne
Sheridan and shy but popular Connell Waldron as they move from
high school in a small Irish town to university in Dublin.
"I would not have wanted to take it on if it was just a young
adult love story," said Abrahamson. "Sally takes this generation
seriously. She writes about them as fully rounded human beings.
Some of us never recapture how intense our experiences, how
sharp our senses and appreciation of life and its possibilities
are at that age."
The TV adaptation, starring newcomers Daisy Edgar-Jones and Paul
Mescal, keeps the same settings, accents, and pared-down
approach of the novel, as well as its frank intimacy.
Abrahamson, who was born and raised in Dublin, said there was
never any pressure to move the story to the United States, or
England, or to change it.
"We wondered whether there would be pressure to soften accents
but they never asked us to internationalize it that way," said
Abrahamson.
"TV audiences are very sophisticated and very prepared to accept
stories that in a sense are local but have an international
resonance," he added.
Rooney, 29, was a co-writer on the television series, which
Abrahamson said aimed to "capture the novel in essence without
having to parrot it."
Reviews have been warm. Britain's Guardian newspaper called the
TV version "a small screen triumph," while Variety said it was
"as immersive as the book that inspired it."
Sex is an important part of the novel and Abrahamson said he
embraced the challenge to show intimacy between teens in a
positive way.
"I thought it would be a radical thing to see on screen for a
large audience - a really positive grown up, not coy, not
sensationalized, depiction of intimacy," he said.
(Reporting by Jill Serjeant, Editing by Rosalba O'Brien)
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