"Tenet" is the first big-budget movie from a
major Hollywood studio to head to theaters since the coronavirus
outbreak shuttered theaters around the world in March.
Ticket sales for the film from AT&T Inc's Warner Bros will be
closely watched as a gauge of how many people will leave their
homes to go to the movies. The film opens in 70 countries
starting on Aug. 26 and in the United States on Sept. 3.
"Tenet" got an 87% approval rate on review aggregator website
Rotten Tomatoes, although critics said its time-bending plot was
so contorted, it was hard to follow at times.
Star John David Washington plays a CIA operative recruited to
help the shadowy Tenet organization that is trying to stop an
apocalyptic event.
The Times of London called the 2.5-hour film a "globetrotting,
jaw-dropping and delightfully convoluted big-screen blockbuster"
and added "Cinema, finally, has returned."
The New York Times said the movie was enjoyable and
"reassuringly massive in every way as a piece of movie-making
shot across multiple global locations."
IndieWire was less impressed, calling the movie a "humorless
disappointment."
The Hollywood Reporter said "Tenet" has a lot riding on it.
"There will be viewers scrutinizing every tweet, review and
opinion aggregator as they weigh whether to leave their
quarantine bubbles to see it," it said.
Theaters have been gradually opening around the world. In the
United States, major chains including AMC Theatres and Cineworld
Plc's Regal Cinemas opened their doors for this weekend with
limited attendance, mask requirements and other measures to
reduce the chances of catching the disease.
The National Association of Theatre Owners announced on Friday
that operators of more than 30,000 screens had agreed a standard
set of procedures.
"Moviegoers need to know that there is a consistent, science and
experience-based set of health and safety protocols in place no
matter what theater they visit," said John Fithian, president of
the industry group.
(Reporting by Lisa Richwine and Jill Serjeant; Editing by
Marguerita Choy)
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