The rapt audience of about 200, many wearing
masks, swayed gingerly. By the end of his set, most masks were
off.
By the time the night's third band took the stage, the hall was
a mosh pit, arms flailing and legs kicking with energy built up
during six months of coronavirus shutdowns that kept the lights
off in Beijing's underground music venues.
Brazilian metal fan Daniel da Silva Anana, who had packed in
among the moshing fans, said he was more worried about slipping
on a floor wet with spilled drinks than the coronavirus.
"Finally, the no-metal-concerts spell is broken!"
Live venues in Beijing were recently allowed to reopen at 50
percent capacity, as life in China increasingly returns to
normal.
Shui Shu's band Bliss-Illusion is part of the country's small
but buoyant heavy metal scene, where bands mix genre standards
with Chinese elements.
"In our work, 'black metal' is the form while Buddhism is the
content," Shui Shu said about his spiritually inspired music
that has been released by French label Anesthetize Productions.
Black metal is a sub-genre that creates a dark, moody atmosphere
layering heavily distorted guitars and high-pitched vocals.
"We do not exaggerate pain, we praise happiness," he said in his
basement rehearsal space a few days before the show at Omi
Space, which on the band's Facebook page he called the "first
date after the world stopped".
COVID-19 restrictions had put a halt to rehearsals and
performances in a Beijing underground music scene that had been
under pressure in recent years, including from local authorities
who sometimes shut down events, club managers and promoters
said.
Shunzi, lead singer of folk-metal band Dream Spirit, whose
members perform in traditional Chinese hanfu garments, used the
downtime to write songs, including one about the workers who
built two emergency hospitals in Wuhan, the city where the
coronavirus was first detected.
"The disease has made me contemplate a lot," he said.
"It also changed my relationship with the guitar player. We have
been friends since school years but always quarreling recently.
In the pandemic, we communicated a lot and mended our
friendship.”
(Reporting by Thomas Peter and Thomas Suen; Editing by Tony
Munroe)
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