Senegal's first female pro surfer draws others in her wake
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[August 27, 2020]
By Zohra Bensemra
DAKAR (Reuters) - Growing up in the
coastal capital of Dakar, Khadjou Sambe never saw a Black woman
surfing the Atlantic swells. As Senegal's first female professional
surfer, Sambe is now inspiring the next generation to defy cultural
norms and take to the waves.
Undeterred by the postponement of the Olympic Games, Sambe trains
whenever conditions allow in the powerful surf break near her home
in the hardscrabble district of Ngor - the westernmost point of the
African continent.
"When I am in the water I feel something extraordinary, something
special in my heart," Sambe said, wearing a t-shirt of the "Black
Girls Surf" project (BGS), which helps Black girls and women around
the world break into professional surfing.
Sambe is a proud Lebou, an ethnic group that traditionally lives by
the sea, but as a teenager, her parents refused to allow her to surf
for two and a half years, saying it brought shame on the family.
"My determination was strong enough to make them change their
minds," she said.
Sambe now also coaches local girls, encouraging them to develop the
physical and mental strength to ride waves and break the mould in a
society that generally expects them to stay at home, cook, clean,
and marry young.
"I always advise them not to listen to other people, to block their
ears," she said.
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Khadjou Sambe, 25, Senegal's first female professional surfer, surfs
during a training session off the coast of Ngor, Dakar, Senegal,
August 18, 2020. REUTERS/Zohra Bensemra
Residents of Ngor have become used to seeing Sambe carrying her
board through the alleyways leading to the shore. In recent months,
she has used a house overlooking the ocean as a base during a visit
by mentor and BGS founder American Rhonda Harper.
"I would always see people surfing and I'd say to myself: but where
are the girls who surf?" Sambe said. "I thought: why don't I go
surfing, represent my country, represent Africa, represent Senegal
as a Black girl?"
(Writing by Alessandra Prentice; Editing by Giles Elgood)
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