As images of the object gleaming amid dusty red
rocks spread online, many noted a vague resemblance to the
so-called "monoliths" in Stanley Kubrick's 1968 film "2001: A
Space Odyssey," prompting strained jokes about a possibly
extraterrestrial origin.
But photographer Ross Bernards posted images to Instagram on
Monday of what he said were the object's final moments that show
there is nothing especially alien about the technology behind
the sculpture: it appeared to be sheets of metal riveted to a
hollow wooden scaffold.
https://www.instagram.com
/p/CIOOkwMBkAS
In a caption accompanying a series of pictures of the object,
Bernards described driving six hours on Friday with three
friends to take some evocative pictures of the object by
moonlight.
After getting some shots, he said he heard some voices coming up
the canyon, and four men appeared. Bernards wrote that he
stepped away so the new group could also enjoy some time alone
with the object, only to watch as they began shoving it.
"They gave a couple of pushes on the monolith and one of them
said, 'You better have got your pictures,'" Bernards wrote. "He
then gave it a big push, and it went over, leaning to one side.
He yelled back to his other friends that they didn't need the
tools. The other guy with him at the monolith then said 'this is
why you don't leave trash in the desert.'"
The object soon fell with a loud bang, and the men made quick
work of breaking it apart and carting it off in wheelbarrows,
Bernards wrote.
"Leave no trace," one of the men told Bernards and his friends.
The U.S. Bureau of Land Management, which oversees the desert
where the object was found, said last week it was not
investigating because it considered the object private property,
and so a matter for the local sheriff.
The San Juan County Sheriff's office did not respond to
questions on Tuesday, but said in a statement earlier this week
it "did not have the proper resources to devote much time" to
the object's arrival or disappearance.
(Reporting by Rich McKay in Atlanta and Jonathan Allen in New
York, Editing by Rosalba O'Brien)
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