The British author, who died in 1990 aged 74,
remains popular with young readers around the world and several
of his books such as "The BFG", "Matilda", "Fantastic Mr Fox"
and most recently "The Witches", have been turned into movies
and stage shows.
However, controversy has occasionally flared up over
anti-Semitic comments, particularly those made in a 1983
interview with Britain's New Statesman magazine.
"There is a trait in the Jewish character that does provoke
animosity, maybe it's a kind of lack of generosity towards
non-Jews," he said, adding that "even a stinker like Hitler
didn't just pick on them for no reason".
In a statement on the official website of the organisations that
manage his legacy, copyrights and trademarks and a museum
dedicated to him, the Dahl family apologised for what they said
was the lasting and understandable hurt his remarks had caused.
"Those prejudiced remarks are incomprehensible to us and stand
in marked contrast to the man we knew and to the values at the
heart of Roald Dahl's stories, which have positively impacted
young people for generations," they said.
"We hope that, just as he did at his best, at his absolute
worst, Roald Dahl can help remind us of the lasting impact of
words."
The director Steven Spielberg was asked about Dahl's
anti-Semitic comments in 2016, when he was at the Cannes film
festival promoting his adaptation of The BFG.
Spielberg said he had been unaware of the comments when he took
on the project, adding the book was about embracing differences
and that was the value he had sought to impart in telling the
story.
Other high-profile adaptations of Dahl's works have included two
big-budget movie versions of Charlie and the Chocolate Factory,
one of Fantastic Mr Fox, and a stage musical version of Matilda
that has been a hit in London and on Broadway.
A new movie version of Dahl's The Witches, directed by Robert
Zemeckis and starring Anne Hathaway as the Grand High Witch, was
recently released on HBO Max by studio Warner Brothers.
(Reporting by Estelle Shirbon; Editing by Elaine Hardcastle)
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