Rodgers, who shot to global fame in the 1970s
with his band Chic and their hit song "Le Freak" and who
produced, among many other albums, David Bowie's "Let's Dance",
is the latest in a flurry of big names from the music industry
to appear before the lawmakers investigating the economics of
music streaming.
Appearing via video-link in a suit jacket and tie paired with
his trademark dark glasses and beret, Rodgers said musicians
were unable to check whether they were losing revenue from the
streaming of their work.
"We don't even know what a stream is worth," he told members of
parliament's Digital, Culture, Media and Sports Committee, which
is investigating the business models of platforms such as
Spotify, Apple Music, Amazon Music and Google Play.
"Can anyone actually really tell me what a stream is actually
worth? Yeah, you can't, and there's no way you can even find
it," he said.
According to the lawmakers, music streaming in the United
Kingdom brings in more than 1 billion pounds ($1.33 billion) in
annual revenues, but artists can be paid as little as 13% of the
income generated.
Rodgers, known for his distinctive style as a guitarist and for
his collaboration with stars ranging from Madonna to Daft Punk,
said that whenever he had been able to audit record labels in
the past, he had found that artists missed out on revenue that
should have gone to them.
"I am not making this up for dramatic purposes or comedic
purposes, but every single time I have audited a label I have
found money and sometimes it's staggering, the amount of money,"
he said, lamenting that the way the streaming system was set up
now did not make any such audit possible.
In previous sessions, the British parliamentary committee has
heard from Guy Garvey, lead vocalist of the band Elbow, and from
Radiohead guitarist Ed O'Brien.
The lawmakers are seeking the perspectives of industry experts,
artists, record labels and the streaming platforms. The inqiry
is ongoing.
(Reporting by Estelle Shirbon; Editing by Gareth Jones)
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