At
a presentation to investors, held in New York’s 30 Rockefeller
Plaza, Comcast is expected to provide pricing details for
Peacock, which will carry ads and launch in April with 15,000
hours of content, including full series of NBC shows such as
“Cheers,” “30 Rock” and “Parks and Recreation.”
The company may also discuss a plan to launch an international
news service created by NBC News and the news division of Sky,
which Comcast Chief Executive Brian Roberts mentioned on an
April earnings call.
Peacock will be one of the last entries in the crowded streaming
landscape, dominated by Netflix Inc and including Walt Disney
Co's Disney+, Apple Inc's Apple TV+, Amazon.com Inc's Amazon
Prime Video, Hulu (controlled by Disney), and ViacomCBS Inc's
CBS All Access. In May, AT&T Inc's WarnerMedia will launch its
new streaming service, HBO Max.
Unlike the majority of those services, which make money from
subscription revenue, Comcast is selling ads against its
content. Peacock, a nod to NBC's logo, will be free for Comcast
customers and be available to other customers for a tiered
monthly fee - the details of which will be announced on
Thursday.
Of the existing streaming services, only Hulu is ad-supported,
although an ad-supported version of HBO Max is expected in 2021.
By including ads in Peacock, Comcast will be able to offer the
service at a price Chief Financial Officer Mike Cavanagh
described as "sensible."
But even at a lower monthly fee, Peacock faces competition from
$5 per month Apple TV Plus and Disney's $7 per month service.
The standard Netflix plan costs $13 per month.
Comcast is investing $2 billion in Peacock throughout 2020 and
2021, and will break even by year five, according to Cavanagh.
Netflix, by contrast, earmarked $19 billion in cash for content
in 2019.
Peacock will include original content such as “Dr. Death”
featuring Alec Baldwin, shows licensed from other studios such
as “Married With Children,” and complete seasons of shows from
NBC’s library, including “Friday Night Lights,” “Frasier” and
next year, “The Office.”
(Reporting by Helen Coster in New York; Editing by Peter
Henderson and Matthew Lewis)
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