At the Berlin Wall, a large portrait of Floyd
is seen alongside yellow block letters spelling "I CAN'T
BREATHE," words he repeated before dying as a white Minneapolis
police officer knelt on his neck for nearly nine minutes.
The May 25 incident, captured on video, prompted widespread
protests across the United States and in other countries. The
case was ruled a homicide by medical examiners, and Derek
Chauvin, the white officer was charged with second-degree
murder.
Syrian artist Aziz Asmar said he wanted to send a message of
solidarity through his mural.
"After witnessing the increased racism against black people in
the United States, and because it is our duty to stand with all
humanitarian causes around the world, we painted today on a wall
destroyed by Assad planes in Idlib," said Asmar, referring to
Syrian President Bashar al-Assad.
Asmar said the images of Floyd reminded him of those of Syrian
children killed by suspected chemical attacks in Damascus and
Khan Sheykhoun.
In Afghanistan, a blast wall in Kabul was the canvas for Mehr
Aqa Sultani, of arts activist group ArtLords.
"George Floyd is a global figure now and he was killed in the
United States because of the blackness of his skin," he said.
"We want to say 'no' to discrimination because discrimination
has no benefit for us."
In Paris, street artist Dugudus depicted U.S. President Donald
Trump as a police officer pressing his knee into Floyd's neck
while holding a Bible.
The mural referred to Trump's photo op in front of St John's
Church in Washington last week, after police forcefully removed
protesters in a nearby park to clear the area for him.
In Pakistan, where elaborately painted trucks are a common
sight, Karachi-based artist Haider Ali, 40, painted Floyd on the
wall of his house - until he can return to his usual moving
canvas.
"I painted these candles and I made these flowers as garland
around his neck to pay him tribute," said Ali, who is raring to
paint on trucks again to spread the message of Floyd's death.
(Writing by Diane Craft; Editing by Richard Chang)
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