Anti-racism protest signs, murals destined for U.S. Smithsonian
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[June 15, 2020]
By Katanga Johnson
WASHINGTON (Reuters) - Days into nationwide
protests over the killing of George Floyd, demonstrators began to fill a
tall fence in front of the White House with posters, flowers, paintings
and photos in honor of black men, women and children who have lost their
lives at the hands of police.
Placed on the recently renamed Black Lives Matter Plaza, the tributes
have created a spontaneous memorial that are now being collected for a
more permanent home at the Smithsonian Institution.
Graffiti artists and mural painters have designed visuals on the site
where many protesters congregate to begin nearly nightly demonstrations
in Washington.
Memorials have also popped up in New York where muralists decorated the
city's Chelsea neighborhood, as well as cities around the world,
including Nairobi, Karachi and Berlin. (https://reut.rs/2YFci5s)
Block after block in Washington, office buildings and windows of upscale
restaurants that normally cater to lobbyists and business executives
have been sheathed in plywood to protect against the short-lived
outbursts of arson and vandalism that struck the city's center earlier
this month.
Levi Robinson, one of the many artists who got the call to design and
paint atop the plywood, said he stumbled onto the idea of making his
depiction of military medics.
"I decided to show black medics who serve in the military after speaking
with some examples who were on site handing out water began to tell me
their stories," said Robinson of his piece adorning a boarded-up
exterior window of a restaurant on Black Lives Matter Plaza.
Aaron Bryant, a photography and social protest historian and curator at
the African American History and Culture Museum, said unlike most of the
protest artwork of the 1960s civil rights era, which were made by
professional artists and graphic designers, this moment's artwork is
different.
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One of the protest murals designed by volunteers and mural artists
of the P.A.I.N.T.S Institute adorns the plywood that boards exterior
windows of a business, following the death of George Floyd in
Minneapolis police custody, in downtown Washington, DC, U.S. June
14, 2020. REUTERS/Katanga Johnson
"Today, people are making signs by hand and running out of the door.
There is more diversity in the signs you see," said Bryant, who is
leading the team of curators collecting plywood murals, signs and
objects such as gas canisters that might one day act as a portal to
this moment in history. His museum is one of several making up the
Smithsonian Institution on the National Mall in Washington.
"It's hard to talk about this moment's artwork with one common
denominator, but what I see is this idea of humanity and community.
People coming together to make positive, social change, messages
that will last for generations."
The Washington-based P.A.I.N.T.S Institute, in partnership with the
Downtown DC Business Improvement District, organized some 42 artists
and volunteers, including Robinson, to design protestor-inspired
murals on the Black Lives Matter Plaza, an expansion of similar
furnishings in downtown Washington.
Foot traffic, thinned by a two-month coronavirus lockdown, can be
spotted taking selfies with some of the roughly 27 murals depicting
black faces wearing masks that read, "Let Us Breath" and "God is
Love."
Once such first-time public mural artist, Jemn Napper, said she
hopes her downtown Washington pieces ultimately help people realize
that "even though we may have our differences, we can all play a
part to come together and create change."
(Reporting by Katanga Johnson; Editing by Chris Sanders and Lisa
Shumaker)
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